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Mommy (2014 film)

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Mommy
Film poster
Directed byXavier Dolan
Written byXavier Dolan
Produced by
Starring
CinematographyAndré Turpin
Edited byXavier Dolan
Music byNoia
Production
companies
Distributed byLes Films Séville
Release dates
  • 22 May 2014 (2014-05-22) (Cannes)
  • 19 September 2014 (2014-09-19) (Canada)
Running time
138 minutes[1]
CountryCanada
LanguageFrench
Budget$4.9 million[2]
Box office$13.1 million[3]

Mommy is a 2014 Canadian drama film written, directed and edited by Xavier Dolan and starring Anne Dorval, Antoine Olivier Pilon, and Suzanne Clément. The story concerns a mother with a sometimes-violent teenage son, struggling to control his behaviour in a desperate attempt to avoid seeing him being institutionalized.

The story focuses on mother–son relationships, a reoccurring theme in Dolan's work, and also marks his fourth collaboration with Dorval and his third with Clément. Inspiration for this particular story was drawn from Dolan's discovery of Pilon and the music of Ludovico Einaudi. It was shot in Quebec in an unconventional 1:1 aspect ratio.

The film debuted at the 2014 Cannes Film Festival, where it won the Jury Prize. It subsequently became a critical and financial success, grossing over $13 million worldwide. Mommy went on to win numerous other awards, among them nine Canadian Screen Awards, including Best Motion Picture. Mommy was announced as Canada's submission for the Academy Award for Best International Feature Film at the 87th Academy Awards, but it was not nominated.

Plot

[edit]

In a fictional outcome for the 2015 Canadian federal election, a political party comes to power and establishes a law called S-14. This legislation allows parents of troubled children and limited finances to place their children in hospitals, without regard for fundamental justice.

Diane "Die" Després, a widowed mother and 46-year-old advice columnist, picks up her son Steve from an institution. Steve, who has ADHD and an attachment disorder, was being discharged after starting a fire in which another youth was injured. Die brings Steve to their new home in Saint-Hubert and struggles to care for him under financial distress. When Steve gives her a cart full of groceries and a necklace reading "Mommy", Die suspects that he has stolen the items. Enraged by the accusation, Steve begins choking her, and she defends herself by hitting him with a glass frame. Whilst chaos ensues, Kyla, a neighbour and teacher on sabbatical, shows up to tend to their wounds.

Kyla, who is dealing with a stuttering problem and recently moved into the area with her husband and daughter, begins to tutor Steve. After a disastrous tutoring session where Steve goads Kyla, she snaps and attacks him. After the confrontation, Steve mellows and indicates he is glad to know her and respects her boundaries and expectations. Kyla notes Steve reminds her of her late son. The three have bonded and their situation improves: Die has a cleaning job and translation work on the side, Kyla's speech problem is resolving, and Steve is receiving better marks on his school work. All is looking up, until Die is served papers by the parents of the injured boy, indicating she and Steve are being sued for the injuries caused by his fire.

Die finds a lawyer, a neighbour and a potential love interest, who is willing to help them with Steve's case. The three of them go out to a karaoke restaurant for the evening. Over the night, Steve is increasingly agitated by the atmosphere and what he sees as his mother's sexual interest in the lawyer. Steve decides to sing, but is taunted by the audience, leading to a fight. They are thrown out. Steve, Die and their lawyer argue, ending with Die slapping the lawyer in retaliation for him slapping Steve, driving the lawyer away. Die in turn shouts at Steve for continually being an issue in her life, whereupon Steve runs away. He returns the following morning.

Die continues to try and help her son and rebuild their lives, but while out shopping with Steve and Kyla, Steve disappears. He is found by Kyla after slitting his wrists. Although he survives, Die comes to realise she is running out of options. One day Die and Kyla surprise Steve with a picnic, and on the drive Die finds herself reflecting on all the dreams she had for her son to live a fulfilled, happy life. The trio end up not at a picnic site as the faux ending implies, but at a hospital to commit Steve under S-14. Upon realising the deception by the two women, Steve angrily resists attempts to apprehend him by hospital staff. Die begins to regret the decision when she helplessly watches the officials use violence and tasers to subdue him.

Kyla announces she is moving to Toronto and Die encourages her. Kyla is relieved Die is not upset. While explaining how much she enjoyed her time with Die and Steve, she accidentally makes a faux-pas about 'abandoning her family'. Die responds that she holds on to hope that her life and the life she envisages for her son will come to fruition. Kyla returns home as Die privately breaks down in tears. While preparing dinner and doing translation work, Die misses a phone call from Steve.

Back at the hospital, Steve, restrained in a straitjacket, apologises to his mother in a voicemail. Immediately after the straps of his jacket are removed by two officials, Steve runs full speed towards a large, bright window.

Cast

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Production

[edit]

Development

[edit]
Dolan wrote the screenplay and chose an unconventional aspect ratio for the film.

Director Xavier Dolan wrote the screenplay, though he said at the time he had never known a person with attention deficit hyperactivity disorder or the same behavioural disorders that the character Steve exhibits.[5] However, Dolan said his own mother is an inspiration for his writing.[6]

With Dolan acknowledging mother-son relationships have always been an underlying theme in his work, the specific idea for Mommy came about after directing Antoine Olivier Pilon in the music video for "College Boy" by Indochine, finding him to be a great actor.[7] Inspired by another song, "Experience" by Ludovico Einaudi, he wrote a scene about a mother fantasizing about a future with her son that will never come to be, and wrote a story around it. Dolan stated it was important to show how unpredictable mental illness can be in a home.[7] The concept of the S-14 law was inspired by an article he had read about a mother who used a law to transfer custody of a child to the state, although in an interview with Le Devoir, Dolan could not recall which country this happened in.[8]

Filming

[edit]

Mommy was filmed in Longueuil, Quebec.[9] Dolan said that when filming, the actors and crew were often rewriting their lines.[10] In casting actresses Anne Dorval and Suzanne Clément, whom Dolan had worked with before, he assigned them roles that he felt were the opposite of what each had previously played.[8]

The film was shot with a handheld camera,[5] in a 1:1 aspect ratio, although most modern films are shot in 1.85:1 or 2.35:1 aspect ratios. On the unusual aspect ratio, Xavier Dolan said, "I know a lot of people are saying, 'Oh, 1:1, how pretentious.' But for me, it seems a more humble and private format, a little more fitting to these lives we're diving into. Cinemascope [2.35:1] would have been extremely pretentious and incompatible for Mommy. To try to get in that apartment and film these people in that aspect ratio would have been unseemly."[11] He also said cinematographer André Turpin had long wanted to experiment with the format.[12] Dolan denied the ratio was meant to invoke the website Instagram, emphasizing this is the original aspect ratio in film history.[13]

Release

[edit]

The film premiered on 22 May 2014, at the Cannes Film Festival, concluding with a 13-minute standing ovation.[14] The film opened in Montreal on 8 September,[9] and in Toronto on 3 October.[15] In France, the film was distributed by Diaphana Films, with associate company agnès b. selling Mommy necklaces to promote the film.[16] The film's U.S. distributor Roadside Attractions waited until 2015 for its release.[16]

The film became available on the U.K. Netflix in 2016, with Dolan publicly criticizing the company for altering the unconventional aspect ratio and demanding, "Take it as it is, or remove it."[17] Netflix corrected the ratio hours later.[18]

Reception

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Box office

[edit]

On its opening weekend in Quebec, the film grossed $471,902.[16] Mommy was Dolan's first film to achieve success at the box office, grossing over $3.5 million domestically in 2014, becoming the highest-selling film in Quebec for 2014.[19] In Canada alone, it reached the $2 million gross on 16 October.[16]

According to the Montreal Gazette, over one million people went to see the film in France.[19] The film ended its run on 19 March 2015 after making $3.5 million in North America and $9.6 million in other territories, for a worldwide total of $13.1 million.[3]

Critical response

[edit]
Anne Dorval received positive reviews for her performance and won the Canadian Screen Award for Best Actress.

On Rotten Tomatoes, the film received an approval rating of 89%, with an average score of 7.9/10 based on 130 reviews; the site's consensus states: "As challenging as it is rewarding, Mommy finds writer-director Xavier Dolan taking another impressive step forward".[20] On Metacritic, the film holds an average score of 74, based on 34 critics, indicating "generally favorable reviews" in accordance with the website's standards.[21]

In Canada, David Berry of the National Post gave the film four stars, writing, "As a movie, Mommy is a very similar thing to its namesake jewellery, a flashy, scary, gorgeous little piece of home, a shiny bauble that still manages to hang very close to the heart".[22] Brendan Kelly of the Montreal Gazette gave it five out of five stars, calling it "the absurdly prolific young auteur's best film yet" and "an ode to the strength of tough working-class single mothers everywhere", and praising Anne Dorval as "extraordinary".[23] Brian D. Johnson of Maclean's credited Dorval for an award-worthy "powerhouse performance". Johnson saw Mommy as more mature than Dolan's previous I Killed My Mother, writing "the tables are turned" in writing the film from the mother's perspective.[24] Peter Howell of the Toronto Star gave the film four stars, saying its smartphone-style picture made it timely and concluding it was "one of the best movies of the year, period".[25] Liam Lacey at The Globe and Mail gave the film three stars, calling the introductory information about S-14 "clumsy", but added "What makes the flaws forgivable is Dolan's love of his characters".[26]

On 21 May 2014, Mommy received a four-star rating from The Guardian reviewer Peter Bradshaw, who described the film as "a splashy, transgressive treat, from trailer-trash chat to unexpected sex and surprising emotional depth".[27] Following Dolan's receipt of the Jury Prize at the 2014 Cannes Film Festival, Guardian writer Xan Brooks introduced the film as "a boisterous Oedipal comedy".[28] Peter Debruge of Variety called it "A funny, heartbreaking and, above all, original work".[29] Mark Olsen of the Los Angeles Times wrote the film "feels like nothing less than Dolan's magnum opus, for the time being at least".[13] Sandra Hall of the Sydney Morning Herald wrote that while she initially found there was "too much noise, too many emotional eruptions and too many tone-deaf subtitles", she found Pilon and Dorval's performances to be "remarkable".[30] Peter Travers of Rolling Stone gave the film three and a half stars, calling it rattling.[31] The Wall Street Journal's Joe Morgenstern, while finding the acting "powerful", found fault in the aspect ratio.[32] Richard Brody of The New Yorker panned the film, saying the depiction of Steve "has no basis in psychology; rather, it appears as Dolan's own pseudo-transgressive artistic tantrum".[33]

Accolades

[edit]

The film was selected to compete for the Palme d'Or in the main competition section at the 2014 Cannes Film Festival,[34] where it won the Jury Prize.[35] The film also won nine awards at the 3rd Canadian Screen Awards in 2015, including Best Motion Picture[36] and 10 awards at the 17th Jutra Awards, including Best Film. It was also Best Foreign Film at the 40th César Awards.

Mommy was selected as the Canadian entry for Best Foreign Language Film at the 87th Academy Awards, but was not nominated.[37][38] The film was included in the list of "Canada's Top Ten" feature films of 2014, selected by a panel of filmmakers and industry professionals organized by TIFF.[39][40]

Award Date of ceremony Category Recipient(s) Result Ref(s)
Camerimage 2014 Bronze Frog André Turpin Won [41]
Canadian Screen Awards 1 March 2015 Best Motion Picture Xavier Dolan and Nancy Grant Won [42]
Best Art Direction / Production Design Colombe Raby Nominated
Best Costume Design Xavier Dolan Nominated
Best Cinematography André Turpin Won
Best Director Xavier Dolan Won
Best Editing Won
Best Makeup Maïna Militza Won
Best Actor Antoine Olivier Pilon Won
Best Actress Anne Dorval Won
Best Supporting Actress Suzanne Clément Won
Best Overall Sound Sylvain Brassard, Jo Caron, François Grenon and Luc Landry Nominated
Best Sound Editing Sylvain Brassard, Benoît Dame, Isabelle Favreau and Guy Francoeur Nominated
Best Original Screenplay Xavier Dolan Won
Cannes Film Festival 14 – 25 May 2014 Prix du Jury Won [35]
César Awards 20 February 2015 Best Foreign Film Won [43]
Chicago Film Critics Association 15 December 2014 Best Foreign Language Film Nominated [44]
David di Donatello Awards 12 June 2015 Best Foreign Film Xavier Dolan Nominated [45]
Dorian Awards 20 January 2015 Best Foreign Language Film Won [46]
Wilde Artist of the Year Xavier Dolan Nominated
Festival International du Film Francophone de Namur 10 October 2014 Best Actor Antoine Olivier Pilon Won [47]
Best Actress Anne Dorval and Suzanne Clément Won
Best Cinematography André Turpin Won
Independent Spirit Awards 30 November 2014 Best Foreign Film Nominated [48]
Jutra Awards 15 March 2015 Best Film Metafilms – Nancy Grant Won [49]
Best Director Xavier Dolan Won
Best Actor Antoine Olivier Pilon Won
Best Actress Anne Dorval Won
Best Supporting Actress Suzanne Clément Won
Best Screenplay Xavier Dolan Won
Best Art Direction Colombe Raby Nominated
Best Costume Design Xavier Dolan Nominated
Best Cinematography André Turpin Won
Best Editing Xavier Dolan Won
Most Successful Film Outside Quebec Won
Billet d'or Won
Lumières Awards 2 February 2015 Best French-Language Film Xavier Dolan Nominated [50]
Online Film Critics Society Awards 15 December 2014 Best Picture Nominated [51]
Best Foreign Language Film Nominated
Best Actress Anne Dorval Nominated
Best Supporting Actress Suzanne Clément Nominated
Prix collégial du cinéma québécois 2015 Best Film Nominated [52]
Robert Awards 7 February 2016 Robert Award for Best Non-American Film Xavier Dolan Won [53]
Satellite Awards 15 February 2015 Best Actress in a Motion Picture Anne Dorval Nominated [54]
Best International Film Nominated
Breakthrough Performance Antoine Olivier Pilon Won
Tallinn Black Nights Film Festival December 2014 Best North American Independent Film Xavier Dolan Won [55]
Toronto Film Critics Association 15 December 2014 Best Canadian Film Nominated [56]
Vancouver Film Critics Circle 5 January 2015 Best Canadian Film Nominated [57]
Best Director of a Canadian Film Xavier Dolan Nominated
Best Actor in a Canadian Film Antoine Olivier Pilon Won
Best Actress in a Canadian Film Anne Dorval Nominated
Best Supporting Actress in a Canadian Film Suzanne Clément Won
Best Screenplay for a Canadian Film Xavier Dolan Won
Vilnius International Film Festival 2015 Audience Award Won [58]
Washington D.C. Area Film Critics Association Awards 8 December 2014 Best Foreign Language Film Nominated [59]

See also

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References

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  1. ^ "Mommy (15)". British Board of Film Classification. 29 January 2015. Archived from the original on 19 April 2015. Retrieved 29 January 2015.
  2. ^ Daudens, Florent; Niosi, Laurence (26 May 2014). "Mommy et les autres : combien coûte un prix à Cannes?". CBC/Radio-Canada. Archived from the original on 19 December 2014. Retrieved 20 February 2015.
  3. ^ a b "Mommy (2014)". Box Office Mojo. Archived from the original on 5 March 2016. Retrieved 17 August 2016.
  4. ^ @xdolan (1 October 2014). "non. Steven Chevrin. Un très beau mannequin alors je suis flatté merci!" (Tweet) – via Twitter.
  5. ^ a b Seymour, Tom (10 March 2015). "Xavier Dolan: 'I just want to express myself – like Madonna'". The Guardian. Archived from the original on 16 August 2016. Retrieved 16 August 2016.
  6. ^ Szklarski, Cassandra (1 March 2015). "Xavier Dolan's Mommy wins best picture at Canadian Screen Awards". The Globe and Mail. Archived from the original on 15 September 2016. Retrieved 16 August 2016.
  7. ^ a b Slotek, Jim (1 October 2014). "Xavier Dolan revelling in 'Mommy's' success". Toronto Sun. Archived from the original on 19 September 2016. Retrieved 16 August 2016.
  8. ^ a b Lévesque, François (13 September 2014). "La belle famille de Mommy". Le Devoir. Archived from the original on 27 August 2016. Retrieved 16 August 2016.
  9. ^ a b Kelly, Jeanette (9 September 2014). "Xavier Dolan brings Mommy back home to Montreal". CBC News. Archived from the original on 19 January 2016. Retrieved 16 August 2016.
  10. ^ Lattanzio, Ryan (19 January 2015). "Xavier Dolan Gets Real, Reveals 'Mommy' Oscar Jitters, 'Tom at the Farm' Whereabouts and More". IndieWire. Archived from the original on 22 August 2016. Retrieved 16 August 2016.
  11. ^ O'Falt, Chris (8 January 2015). "Why Xavier Dolan's 'Mommy' Was Shot as a Perfect Square". The Hollywood Reporter. Archived from the original on 12 April 2015. Retrieved 1 April 2015.
  12. ^ Tremblay, Odile (23 May 2014). "Le cas Mommy". Le Devoir. Archived from the original on 27 August 2016. Retrieved 17 August 2016.
  13. ^ a b Olsen, Mark (17 January 2015). "In 'Mommy,' Xavier Dolan looks things in the eye". Los Angeles Times. Archived from the original on 27 August 2016. Retrieved 16 August 2016.
  14. ^ "Festival de Cannes: Xavier Dolan a eu droit à une ovation qui vous donnera des frissons". Le Huffington Post (in French). 25 May 2014. Archived from the original on 6 October 2014. Retrieved 13 October 2014.
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  18. ^ Child, Ben (5 January 2016). "Xavier Dolan triumphs in row with Netflix UK over his film's aspect ratio". The Guardian. Archived from the original on 18 September 2016. Retrieved 16 August 2016.
  19. ^ a b Kelly, Brendan (18 November 2014). "Mommy continues its box office dominance". The Gazette. Montreal. Archived from the original on 8 December 2015. Retrieved 30 November 2015.
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  21. ^ "Mommy". Metacritic. 21 January 2015. Archived from the original on 23 January 2015. Retrieved 21 January 2015.
  22. ^ Berry, David (3 October 2014). "Mommy, reviewed: Canadian wunderkind Xavier Dolan hits it out of the park with Oscar-vying fifth film". National Post. Archived from the original on 12 July 2016. Retrieved 16 August 2016.
  23. ^ Kelly, Brendan (19 September 2014). "Review: Mommy is Xavier Dolan's dearest movie yet". The Gazette (Montreal). Archived from the original on 24 August 2016. Retrieved 16 August 2016.
  24. ^ Johnson, Brian D. (2 March 2015). "Blown away by Xavier Dolan's 'Mommy'". Maclean's. Archived from the original on 24 May 2016. Retrieved 16 August 2016.
  25. ^ Howell, Peter (2 October 2014). "Mommy burns beyond the frame: review". Toronto Star. Archived from the original on 22 August 2016. Retrieved 17 August 2016.
  26. ^ Lacey, Liam (3 October 2014). "Mommy: A shared history of love, hope and profanity". The Globe and Mail. Archived from the original on 15 September 2016. Retrieved 17 August 2016.
  27. ^ Peter Bradshaw (21 May 2014). "Cannes 2014 review: Mommy - dearest work yet from Xavier Dolan". The Guardian. Guardian News and Media Limited. Archived from the original on 1 June 2014. Retrieved 1 June 2014.
  28. ^ Xan Brooks (25 May 2014). "Cannes festival ready for shut-eye after Winter Sleep wins Palme d'Or". The Guardian. Guardian News and Media Limited. Archived from the original on 2 June 2014. Retrieved 1 June 2014.
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  30. ^ Hall, Sandra (5 April 2015). "Mommy review: New-look Anne Dorval shines in Xavier Dolan's homage to motherhood". The Sydney Morning Herald. Archived from the original on 11 October 2016. Retrieved 16 August 2016.
  31. ^ Travers, Peter (21 January 2015). "Mommy". Rolling Stone. Archived from the original on 26 August 2016. Retrieved 17 August 2016.
  32. ^ Morgenstern, Joe (22 January 2015). "'Mommy' Review: A Complex Relationship". The Wall Street Journal. Archived from the original on 29 April 2016. Retrieved 17 August 2016.
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  34. ^ "2014 Official Selection". Cannes. Archived from the original on 19 April 2014. Retrieved 17 April 2014.
  35. ^ a b "Awards 2014 : Competition". Cannes. Archived from the original on 27 May 2014. Retrieved 25 May 2014.
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  39. ^ "TIFF Tips Its Toque to the Best in Canadian Filmmaking: Cronenberg, Dolan, and Gunnarson Among Directors Recognized" (PDF) (Press release). TIFF. 1 December 2014. Archived (PDF) from the original on 21 December 2014. Retrieved 21 December 2014.
  40. ^ Linda Barnard (1 December 2014). "TIFF's Top Ten Film Festival: Spotlight on Canadian film". Toronto Star. Archived from the original on 21 December 2014. Retrieved 21 December 2014.
  41. ^ "'Leviathan' Wins Top Prize at Camerimage, Film Festival for Cinematographers". Variety. 22 November 2014. Archived from the original on 25 November 2014. Retrieved 23 November 2014.
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  46. ^ Kennedy, John R. (20 January 2015). "Canadian filmmaker Xavier Dolan's 'Mommy' wins Dorian Award". Global News. Archived from the original on 30 September 2016. Retrieved 16 August 2016.
  47. ^ "Le 29ème Palmarès!". FIFF. Archived from the original on 18 October 2014. Retrieved 11 October 2014.
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  49. ^ "Mommy, Tu Dors Nicole, 1987 Et Tom À La Ferme En Tête Des Nominations". Lesjutra.ca. Archived from the original on 19 February 2015.
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  52. ^ "Tu dors Nicole remporte le Prix collégial du cinéma québécois". TVA Nouvelles, March 14, 2015.
  53. ^ Ludvigsen, Jacob [in Danish] (8 February 2016). "Robert: De største overraskelser og alt for forudsigelige priser ved den danske Oscar". Soundvenue (in Danish). Archived from the original on 12 February 2016. Retrieved 23 June 2021.
  54. ^ Bélanger, Cédric (10 February 2015). "Antoine-Olivier Pilon honoré à Hollywood". Le Journal de Montréal. Archived from the original on 3 March 2016. Retrieved 17 August 2016.
  55. ^ "Lucifer wins the Black Nights Grand Prix". Cineuropa. 1 December 2014. Archived from the original on 14 December 2014. Retrieved 1 December 2014.
  56. ^ "Denis Villeneuve's Enemy is Toronto Film Critics' top Canadian pick". CBC News. 6 January 2015. Archived from the original on 20 March 2017. Retrieved 19 March 2017.
  57. ^ "'Birdman' and 'Mommy' lead Vancouver Film Critics Circle nominations". HitFix. 22 December 2014. Archived from the original on 23 December 2014. Retrieved 23 December 2014.
  58. ^ "Audience choice awards 2015". Vilnius International Film Festival. Retrieved 15 October 2020.
  59. ^ "The 2014 WAFCA Awards". Washington D.C. Area Film Critics Association. Archived from the original on 9 December 2016. Retrieved 11 January 2017.
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