Pop Quotes

“I was always an unusual girl.
My mother told me I had a chameleon soul, no moral compass pointing due north, no fixed personality; just an inner indecisiveness that was as wide and as wavering as the ocean.”
― Lana Del Rey

“Who are you?
Are you in touch with all of your darkest fantasies?
Have you created a life for yourself where you can experience them?
I have. I am fucking crazy.
But I am free.”
― Lana Del Rey

“If you enter this world knowing you are loved and you leave this world knowing the same, then everything that happens in between can be dealt with.”
― Michael Jackson

“Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.”
― Criss Jami, Killosophy

“Beauty is a sign of intelligence.”
― Andy Warhol

“I once had a dreams of becoming a beautiful poet, but upon an unfortunate series of events some of those dreams dashed and divided like a million stars in the night sky that I wished on over and over again, sparkling and broken.
But I didn't really mind, because I knew that it takes getting everything you ever wanted, and then losing it to know what true freedom is.”
― Lana Del Rey

“Every night I used to pray that I’d find my people, and finally I did on the open road.
We had nothing to lose, nothing to gain, nothing we desired anymore, except to make our lives into a work of art.”
― Lana Del Rey

“We are not just Art for Michelangelo to carve, he can't rewrite the agro of my furied heart- Lady Gaga 10/22/10”
― Lady Gaga

“So when he asked about getting high, I didn't think, I agreed. We smoked some good California green. Took three tries to put me in the place he said I should be.”
― Ellen Hopkins

“The unhappiest people I know, romantically speaking, are the ones who like pop music the most; and I don't know whether pop music has caused this unhappiness, but I do know that they've been listening to the sad songs longer than they've been living the unhappy lives.”
― Nick Hornby, High Fidelity

“You can turn off the sun, but im still ganna shine!”
― Jason Mraz

“Hair is gray and the firers are burning. So many dreams on the shelf. You say I wanted you to be proud of me. I always wanted that myself.”
― Tori Amos

“Pop and metal aren't friends. Each knows exactly where the other lives and tries to keep its distance. They choose different streets, neighborhoods, zip codes.”
― Dave Mustaine, Mustaine: A Heavy Metal Memoir

“Music shouldn't be just a tune, it should be a touch.”
― Amit Kalantri, Wealth of Words

“...And you're the only one who knows.”
― Billy Joel

“As individuals die every moment, how insensitive and fabricated a love it is to set aside a day from selfish routine in prideful, patriotic commemoration of tragedy. Just as God is provoked by those who tithe simply because they feel that they must tithe, I am provoked by those who commemorate simply because they feel that they must commemorate.”
― Criss Jami, Killosophy

“The danger of restorative nostalgia lies in its belief that the mutilated 'wholeness' of the body politic can be repaired. But the reflective nostalgic understands deep down that loss is irrecoverable: Time wounds all wholes. To exist in Time is to suffer through an endless exile, a successive severing from those precious few moments of feeling at home in the world. In pop terms, Morrissey is the supreme poet of reflective nostalgia.”
― Simon Reynolds, Retromania: Pop Culture's Addiction to Its Own Past

“The only other consistent thing in Billy’s life was his father. Billy didn’t call him that though. He’d always called him Pop. Billy’s Pop would have laughed at all that career day stuff. Pop didn’t have crazy hair but Billy was pretty sure he was a genius. Pop told him stuff they didn’t let you in on at school, like how there was supposed to be future stuff already, like moving sidewalks and monorails and jetpacks. Pop told him that the government had lied and screwed people out of all that stuff and the only reason we ever went to the moon was to bury Jimmy Hoffa up there.”
― Jesse James Freeman, Billy Purgatory: I Am the Devil Bird

“They call each other ‘E.’ Elvis picks
wildflowers near the river and brings
them to Emily. She explains half-rhymes to him.

In heaven Emily wears her hair long, sports
Levis and western blouses with rhinestones.
Elvis is lean again, wears baggy trousers

and T-shirts, a letterman’s jacket from Tupelo High.
They take long walks and often hold hands.
She prefers they remain just friends. Forever.

Emily’s poems now contain naugahyde, Cadillacs,
Electricity, jets, TV, Little Richard and Richard
Nixon. The rock-a-billy rhythm makes her smile.

Elvis likes himself with style. This afternoon
he will play guitar and sing “I Taste A Liquor
Never Brewed” to the tune of “Love Me Tender.”

Emily will clap and harmonize. Alone
in their cabins later, they’ll listen to the river
and nap. They will not think of Amherst

or Las Vegas. They know why God made them
roommates. It’s because America
was their hometown. It’s because

God is a thing without
feathers. It’s because
God wears blue suede shoes.”
― Hans Ostrom

“La música sentimental tiene la especial cualidad de llevarte hacia atrás en el tiempo a la vez que te lleva hacia delante, y por eso te sientes nostálgico y esperanzado a la vez.”
― Nick Hornby, High Fidelity

“By the way, this tells you why Auto-Tuned vocals on many contemporary records sound so shallow and lifeless. It’s almost as if everything we learned from African American music during the twentieth century was thrown out the window by technologies in the twenty-first century. The goal should not be to sing every note dead center in the middle of the pitch---we escaped from that musical prison a hundred years ago. Why go back? In an odd sort of way, much of contemporary pop music resembles opera, with all the subtle shadings of bent notes and microtonal alterations abandoned in the quest for mathematically pure tones.”
― Ted Gioia, How to Listen to Jazz

“Here, television succeeded in completing a fantastic operation of directed consensus building, a real power grab, an OPA [Tender offer] to the entire society, a kidnapping - an unheralded success story on the path towards an integral telemorphosis of society. Television created a global event (or better, a non-event), in which everyone became trapped. “A total social fact” as Marcel Mauss says - if in other societies this situation indicated the converging power of all the elements of the social, in our society it indicates the elevation of an entire society to the parody stage of an integral farce, of an image feedback relentless with its own reality. What the most radical critical critique, the most subversive delirious imagination, what no Situationist drift could have done… television has done.”
― Jean Baudrillard, Telemorphosis

“But he played music so loudly he could not hear his pain. He stunted his growth beneath a bass that decorated his aura and lyrics that hardened the glass parts of him. He was indeed an autumn leaf dipped in concrete. He wanted sound, any sound but his own thoughts. Ears that needed songs louder than the mind were ears afraid of what they might hear inside.”
― Karl Kristian Flores, A Happy Ghost

“Ho tanti motivi,
nessuno orecchiabile.”
― Veronica Vitale, Inside The Outsider

“This is why Warhol is not part of the history of art. He is, quite simply, part of the world. He does not represent it; he is a fragment of it: a fragment in the pure state. This is why, seen from the viewpoint of art, he can be disappointing. Seen as a refraction of our world, he is perfectly self-evident. Like the world itself: looked at from the angle of meaning, the world is thoroughly disappointing. From the angle of appearance and detail, it is perfectly selfevident. And so is the Warhol machine, that extraordinary machine for filtering the world in its material self-evidence.

No one can claim to describe that machine. That would imply a literal complicity, a machinic complicity, with Warhol. Now, not everyone has the good fortune to be a machine.”
― Jean Baudrillard, The Perfect Crime

“Art playing on its own disappearance and the disappearance of its object was still an art of great works. But art playing at re-cycling itself indefinitely by helping itself to reality? Most contemporary art is engaged in just this: appropriating banality, the throwaway, mediocrity as value and as ideology. In these innumerable installations and performances, what is going on is merely a compromise with the state of things - and simultaneously with all the past forms of the history of art. An admission of unoriginality, banality and worthlessness, elevated into a perverse aesthetic value, if not indeed a perverse aesthetic pleasure. Admittedly, it is claimed that all this mediocrity is sublimated in the transition to the level of art, which is distanced and ironic. But it is just as worthless and insignificant at that level as before. Transition to the aesthetic level rescues nothing. In fact the opposite is true: it is mediocrity raised to the second power. It claims to be worthless: 'I'm worthless, I'm worthless!' and it really is worthless!”
― Jean Baudrillard, Screened Out

“My girlfriend would tell me she was flying out of town to a pop concert with her friends for the weekend. She did go to the concert, but it later emerged it was an excuse to meet up with her secret lover!”
― Steven Magee

“Das Auswählen junger Frauen scheint genreunabhängig – im Rap, aber auch im Pop oder Rock – so gängig zu sein, dass es in der Branche feststehende Begriffe
dafür gibt.”
― Lena Kampf, Row Zero: Gewalt und Machtmissbrauch in der Musikindustrie

“Queen always seemed to me to be manufactured championship music—designed to be played in stadiums to get fans hyped up about paying money to watch other men play a child’s game. With songs like We Will Rock You and We Are The Champions, they were the pep rally of pop rock.”
― Jarod Kintz, A Memoir of Memories and Memes

“Gods creation makes me feel so alive”
― Caroline Manning