Geoff's Reviews > Austerlitz
Austerlitz
by
I have trouble writing about Sebald. I read The Emigrants and The Rings Of Saturn back-to-back a few years ago, and didn’t bother writing reviews on this site. I just added them to my favorites and gave the requisite 5 stars. Perhaps this silence that comes after reading Sebald is in some ways my attempt to not trivialize or minimize the effect reading his books produces; on the other hand, it might be that Sebald says what needs to be said, in just the way it has to be said; that it is difficult to follow Sebald because there is a certain emotional dusk or twilight that his prose produces that then inevitably calls forth a kind of night- one wants to silently dwell on the words and images, because they seem so fragile, almost sacred. I’m not hyperbolizing this experience. Sebald is, to me, the inheritor and refiner, perhaps the perfector, of not only the whole body of 20th century literature of exile, but also one of the last great rememberers, the conscience that carries the lessons of the disasters of the 20th century. He represents the dying flame of Old World European literary scholars- a Sir Thomas Browne roaming the post-Relativity age. The trance-like or oneiric quality of his prose seems to me the voice of Time, but Time evacuating itself of its properties- time falling into the inner place where it dissolves within ourselves as Memory. His prose captures the essence of experience in the process of always being lost and recovered, the tenses of our lives that are always flickering into substance and de-substantiating before we might grab hold and define them.
This is a personal and a universal achievement. For all of his books are in some way about collective disappearance and the attempts we make, the various means and tactics we as individuals employ, to keep oblivion at bay. They are about how universal experience weaves the fate of the individual (thus the recurring themes of historical consequence, war, colonialism, etc.) In this sense, Austerlitz is a pinnacle of Sebaldean prose, as it directly confronts, through a single person, the universal history of destruction. Its main concern is the possibility of the universal forgetting of the lessons of the Holocaust to the obliterating work of Time and the caprice of Memory within the individual. This book is populated with ghosts, wavering beings, mists, fogs, smoke, things that obscure, grand facades of buildings housing empty labyrinths, vacant wind-sung streets, gloaming forests, cemeteries overgrown with time’s lichen and tendrils, processions of those diminished by death suddenly appearing, glimmering into and retreating out of this world. The prose, of course, wanders, walks, explores- Sebald is pretty much only digression, in all of his books- beautiful, melancholy digression- akin to the process of meditative reflection itself the prose drifts, associates, follows leads down desolate halls, disappears into dusty vaults, peers through windows at empty landscapes in winter light, watches the clouds above silently pass away. But in all of this an utterly human voice is rising and ebbing, revealing, guiding, a tenderness pervades the melancholy (and, to me, the word melancholy almost always implies something achingly beautiful and tender as well as something struck with sadness and loss). A reach for the eternal and Ideal within the irretrievable. So Austerlitz, and Sebald, comes to find that place where hopeless hopes invest the human experience.
But really, this “review” is simply an excuse to provide some links to a few Lieder ohne Worte- throughout my reading of Austerlitz this was the music floating through mind:
http://www.youtube.com/watch?v=wR3t6v...
http://www.youtube.com/watch?v=TV2LRF...
http://www.youtube.com/watch?v=_-n_wb...
and of course
http://www.youtube.com/watch?v=CKtkHh...
by
”It seems to me then as if all the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last… And might it not be, continued Austerlitz, that we also have appointments to keep in the past, in what has gone before and is for the most part extinguished, and must go there in search of places and people who have some connection with us on the far side of time, so to speak?”
I have trouble writing about Sebald. I read The Emigrants and The Rings Of Saturn back-to-back a few years ago, and didn’t bother writing reviews on this site. I just added them to my favorites and gave the requisite 5 stars. Perhaps this silence that comes after reading Sebald is in some ways my attempt to not trivialize or minimize the effect reading his books produces; on the other hand, it might be that Sebald says what needs to be said, in just the way it has to be said; that it is difficult to follow Sebald because there is a certain emotional dusk or twilight that his prose produces that then inevitably calls forth a kind of night- one wants to silently dwell on the words and images, because they seem so fragile, almost sacred. I’m not hyperbolizing this experience. Sebald is, to me, the inheritor and refiner, perhaps the perfector, of not only the whole body of 20th century literature of exile, but also one of the last great rememberers, the conscience that carries the lessons of the disasters of the 20th century. He represents the dying flame of Old World European literary scholars- a Sir Thomas Browne roaming the post-Relativity age. The trance-like or oneiric quality of his prose seems to me the voice of Time, but Time evacuating itself of its properties- time falling into the inner place where it dissolves within ourselves as Memory. His prose captures the essence of experience in the process of always being lost and recovered, the tenses of our lives that are always flickering into substance and de-substantiating before we might grab hold and define them.
This is a personal and a universal achievement. For all of his books are in some way about collective disappearance and the attempts we make, the various means and tactics we as individuals employ, to keep oblivion at bay. They are about how universal experience weaves the fate of the individual (thus the recurring themes of historical consequence, war, colonialism, etc.) In this sense, Austerlitz is a pinnacle of Sebaldean prose, as it directly confronts, through a single person, the universal history of destruction. Its main concern is the possibility of the universal forgetting of the lessons of the Holocaust to the obliterating work of Time and the caprice of Memory within the individual. This book is populated with ghosts, wavering beings, mists, fogs, smoke, things that obscure, grand facades of buildings housing empty labyrinths, vacant wind-sung streets, gloaming forests, cemeteries overgrown with time’s lichen and tendrils, processions of those diminished by death suddenly appearing, glimmering into and retreating out of this world. The prose, of course, wanders, walks, explores- Sebald is pretty much only digression, in all of his books- beautiful, melancholy digression- akin to the process of meditative reflection itself the prose drifts, associates, follows leads down desolate halls, disappears into dusty vaults, peers through windows at empty landscapes in winter light, watches the clouds above silently pass away. But in all of this an utterly human voice is rising and ebbing, revealing, guiding, a tenderness pervades the melancholy (and, to me, the word melancholy almost always implies something achingly beautiful and tender as well as something struck with sadness and loss). A reach for the eternal and Ideal within the irretrievable. So Austerlitz, and Sebald, comes to find that place where hopeless hopes invest the human experience.
But really, this “review” is simply an excuse to provide some links to a few Lieder ohne Worte- throughout my reading of Austerlitz this was the music floating through mind:
http://www.youtube.com/watch?v=wR3t6v...
http://www.youtube.com/watch?v=TV2LRF...
http://www.youtube.com/watch?v=_-n_wb...
and of course
http://www.youtube.com/watch?v=CKtkHh...
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Reading Progress
December 13, 2013
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Started Reading
December 13, 2013
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December 13, 2013
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"Sebald on Bookworm concerning Austerlitz should warm the cockles of your heart this day. That is if your heart has any cockles left at all to keep warm.
http://www.youtube.com/watch?v=pSFcTW..."
http://www.youtube.com/watch?v=pSFcTW..."
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Jimmy wrote: "it is difficult to follow Sebald because there is a certain emotional dusk or twilight that his prose produces that then inevitably calls forth a kind of night-
Perhaps, but you follow him well. D..."
Jimmy, thanks so much. Especially coming from a Sebald aficionado such as yourself. You saw the documentary, right?
Perhaps, but you follow him well. D..."
Jimmy, thanks so much. Especially coming from a Sebald aficionado such as yourself. You saw the documentary, right?
howl of minerva wrote: ""I have trouble writing about Sebald."
Think you did a pretty awesome job..."
I blush. Thanks so much HoM...
Think you did a pretty awesome job..."
I blush. Thanks so much HoM...
If you've not read the poetry, After Nature is magnificent. It's quite dense but makes you realise how close prose and poetry are to one another for Sebald.
Jimmy wrote: "It's on my radar. But not playing in my city, as far as I know."
It's streaming on Netflix, if you've got that. Don't know about Hulu... It's called Patience: After Sebald. Really good.
It's streaming on Netflix, if you've got that. Don't know about Hulu... It's called Patience: After Sebald. Really good.
howl of minerva wrote: "If you've not read the poetry, After Nature is magnificent. It's quite dense but makes you realise how close prose and poetry are to one another for Sebald."
I haven not. But I plan on becoming a Sebald compeletionist. It's inevitable.
I haven not. But I plan on becoming a Sebald compeletionist. It's inevitable.
Sebald is, to me, the inheritor and refiner, perhaps the perfector, of not only the whole body of 20th century literature of exile, but also one of the last great rememberers, the conscience that carries the lessons of the disasters of the 20th century.
I hope to read Sebald soon, especially after this eloquently written veiled recommendation.
I hope to read Sebald soon, especially after this eloquently written veiled recommendation.
Samadrita wrote: "I hope to read Sebald soon, especially after this eloquently written veiled recommendation."
Thanks Samadrita! Start anywhere, any of his novels. My first was The Emigrants and I was sold. But his whole body of work is masterful, at least what of it I've read.
Thanks Samadrita! Start anywhere, any of his novels. My first was The Emigrants and I was sold. But his whole body of work is masterful, at least what of it I've read.
Thanks M.! The only novel I have left is Vertigo, but then I have his poetry and nonfiction, interviews, etc.
Geoff wrote: "Samadrita wrote: "I hope to read Sebald soon, especially after this eloquently written veiled recommendation."
Thanks Samadrita! Start anywhere, any of his novels. My first was The Emigrants and..."
I actually have Austerlitz with me now so I'll start with that and move on to his other titles, I have heard good things about nearly all his works.
Thanks Samadrita! Start anywhere, any of his novels. My first was The Emigrants and..."
I actually have Austerlitz with me now so I'll start with that and move on to his other titles, I have heard good things about nearly all his works.
A superb evocation of the unique experience that is available to the reader of Sebald's work and especially Austerlitz.
This book is populated with ghosts, wavering beings, mists, fogs, smoke, things that obscure, grand facades of buildings housing empty labyrinths, vacant wind-sung streets, gloaming forests, cemeteries overgrown with time’s lichen and tendrils, processions of those diminished by death suddenly appearing, glimmering into and retreating out of this world.
With writing like that you have done justice to spirit (in every sense) of the book Geoff. The links are excellent and apt too. The rest is silence...
This book is populated with ghosts, wavering beings, mists, fogs, smoke, things that obscure, grand facades of buildings housing empty labyrinths, vacant wind-sung streets, gloaming forests, cemeteries overgrown with time’s lichen and tendrils, processions of those diminished by death suddenly appearing, glimmering into and retreating out of this world.
With writing like that you have done justice to spirit (in every sense) of the book Geoff. The links are excellent and apt too. The rest is silence...
Declan wrote: "The rest is silence... "
Thanks so much Declan. I do think Mendelssohn's Lieder ohne Worte evoke something particularly Sebaldean, yes. I have a complete set of those works and his compositions for octet- a big burly box of vinyl- that are on heavy rotation in my household.
Thanks so much Declan. I do think Mendelssohn's Lieder ohne Worte evoke something particularly Sebaldean, yes. I have a complete set of those works and his compositions for octet- a big burly box of vinyl- that are on heavy rotation in my household.
I thought I had liked this review already but since I had to go, I left for later to write my comment. Now I have read it again and also realize that my Like had not been recorder.
This is the only Sebald I have read. You have captured so well what this book entails.. It is a very hard one to review. Very hard. And you've done a superb job.
This is the only Sebald I have read. You have captured so well what this book entails.. It is a very hard one to review. Very hard. And you've done a superb job.
What a thoughtful review. You climbed inside the writing; the mood, the ambience, the meaning evoked. So much easier to list plot and circumstances than to describe how a writer breathes thought onto the page. This review Geoff is a triumph.
@ Geoff: Wow! First to have this lyrical review & then to top it with icing the soothing Mendelssohn melodies & as a cherry the Sherlock Holmes connection- you made me happy!
Kalliope, Brian, Stephen, Mala, thanks! A somewhat interesting coincidence I came upon- I started reading this book pretty much on the day of the anniversary of Sebald's death. Another author of which we have to imagine what might have been.
I really liked the phrase "one of the last great rememberers." I will read a Sebald now, entirely due to your review. He would not have been on my radar otherwise, but he sounds entirely up my alley. Thank you Geoff, for a lovely review!
Kelly wrote: "I really liked the phrase "one of the last great rememberers." I will read a Sebald now, entirely due to your review. He would not have been on my radar otherwise, but he sounds entirely up my alle..."
Kelly, this made my Christmas Eve so much happier, to know that I had a part in influencing someone with as great a mind as yourself to pick up Sebald. You will not be disappointed. Thanks for the kind words...
Kelly, this made my Christmas Eve so much happier, to know that I had a part in influencing someone with as great a mind as yourself to pick up Sebald. You will not be disappointed. Thanks for the kind words...
It was truly a lovely review that showed your passion for the subject. You can never go wrong with that. :)
Cheryl wrote: "Sebald and Austerlitz are my favorite author and words. So glad to find and acknowledge the great review of another admirer of his wonderful mind."
I might prefer The Rings of Saturn and The Immigrants, in a personal pantheon-type way. But, Sebald is among the very greatest of modern writers, yes. To be read again and again.
I might prefer The Rings of Saturn and The Immigrants, in a personal pantheon-type way. But, Sebald is among the very greatest of modern writers, yes. To be read again and again.
I just got Rings of Saturn in the mail yesterday! I look forward to starting it in the next few weeks. Thanks again for the recommendation that got me there.
Geoff wrote: "In this sense, Austerlitz is a pinnacle of Sebaldean prose, as it directly confronts, through a single person, the universal history of destruction."
Agreed, Geoff. It feels pointless, in some ways, using one's own words to describe Sebald's peerless words, and yet you've written a fine review. I've just re-read Austerlitz. Trying to articulate my own impressions was like attempting to grasp fog in my hand.
Agreed, Geoff. It feels pointless, in some ways, using one's own words to describe Sebald's peerless words, and yet you've written a fine review. I've just re-read Austerlitz. Trying to articulate my own impressions was like attempting to grasp fog in my hand.
Perhaps, but you follow him well. Damn fine review! Especially this:
The trance-like or oneiric quality of his prose seems to me the voice of Time, but Time evacuating itself of its properties- time falling into the inner place where it dissolves within ourselves as Memory. His prose captures the essence of experience in the process of always being lost and recovered, the tenses of our lives that are always flickering into substance and de-substantiating before we might grab hold and define them.