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  • For me, whether it is subtitling or the language, it's just a medium of communication. Those are not important for me. I would rather want my audience to get the story through the visuals, the way actors are performing or how the background score is. That is what I would prefer as a filmmaker. (en)
  • I’m very loyal to my action sequences. I just won’t put them in for the sake of it. I believe that human endurance and physical capabilities are unimaginable when they are emotionally charged. There are things that real people have achieved that we can’t imagine, but they happen once in a lifetime … The only thing is they happen quite a number of times in my films. (en)
  • When I start writing a story, for me, it is the emotion I should be moved by. I might be agnostic, but when I see a good film, like for example, Annamayya, a Telugu film which is about a devotee of Lord Venkateswara, and when I see the climax, I cry. It is a conversation between God and man, his disciple. I might not believe in God, but I connect to the emotion of a devotee and a God. And, I connect to the emotion that drives masses: devotion and submission to a greater self. I understand the power of that emotion, the power of a mass emotion, and I too feel that emotion. I might not believe in God, but I believe in the emotion, and if it moves me, I write it. (en)
dbp:source
  • — Rajamouli on action sequences in his films. (en)
  • — Rajamouli on emotions and themes in his films. (en)
  • — Rajamouli on visual storytelling. (en)
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  • Cinematic style of S. S. Rajamouli (en)
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