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0786104198
| 9780786104192
| 0786104198
| 3.97
| 65,649
| Dec 1955
| Aug 31, 1997
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it was amazing
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The Quiet American is a cynical, moralistic novel written by a cynical author whose very British Catholicism is evident throughout its pages. Its prot
The Quiet American is a cynical, moralistic novel written by a cynical author whose very British Catholicism is evident throughout its pages. Its protagonist, Thomas Fowler, a British journalist covering the French Indo-China War in the 1950s, is the sort of lapsed Catholic that such Catholic writers are fond of: he's kind of a reprobate who claims not to really believe in anything, but you know those nuns are still rapping his knuckles in his dreams. Fowler has a wife back home, from whom he is separated (she won't grant him a divorce, because she is a very unlapsed Catholic), and a mistress in Saigon named Phuong. Fowler loves Phuong, but Phuong's older sister is trying to set her up with a better (i.e., more prosperous) match. Enter Aiden Pyle, the "quiet American." Pyle, a covert CIA man, is a clueless, almost offensively ingenuous twit who is full of ideas he read about in his Ivy League schools about how to rid the Vietnamese of French colonialism without falling to communism. Pyle is going to arm a "third force" that will bring freedom and democracy to these poor ignorant peasants. He's so sincere about it. He's equally sincere when he falls in love with Phuong and wants to marry her. This book is both a love triangle and a prescient warning about Americans epically fucking up in Vietnam, written a few years before Americans started epically fucking up in Vietnam. Graham Greene was apparently inspired to write this book on a jeep ride with an American who was spouting the kind of rhetoric about a "third force" that he has Pyle advocating in the resulting novel. The story is fairly simple and I really appreciated how subtly yet clearly Greene conveys what's going on. It would be easy to read Phuong as just an inscrutable Oriental of the sort that white dudes in the 50s wrote about, a sex object lacking agency, yet while she has few lines and both Pyle and Fowler frequently remark on their inability to really know what she's thinking, the reader can infer a great deal in her quiet manuevers to secure a future for herself, unencumbered by the sentimentality of the two men competing for her affections. The love triangle isn't the real story, though it's the framing device that keeps Fowler and Pyle in conflict. It's about Fowler gradually becoming aware of what Pyle is up to, and having to decide if he can stay neutral. The fact that the guy who is, with the best and most sincere of intentions, engineering a bloodbath also happens to be the guy who's, with the best and most sincere of intentions, stealing his girl is not missed by either Fowler or the reader. This was a taut little novel that didn't feel dated despite its age. It may have become a modern classic in large part because Greene so accurately foretold what bumbling American interventionism in Vietnam would wreak, but you can appreciate it on many levels, as a book about a morally gray protagonist wrestling with his conscience, as a tragic love story, as a political novel that was perfect for its time. I do have to complain about the audio version, though. The British narrator's attempt at an American accent was horrible. Dude, we don't all talk like slow-witted doofs with clogged sinuses! ...more |
Notes are private!
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1
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Mar 21, 2023
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Mar 26, 2023
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Mar 21, 2023
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Audiobook
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B007Z95VQM
| unknown
| 4.39
| 18,616
| Jan 2012
| May 01, 2012
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it was amazing
|
When last we saw our "hero," Lyndon Baines Johnson, he'd ascended to the heights of power, made the Senate his bitch, and was now probably the second
When last we saw our "hero," Lyndon Baines Johnson, he'd ascended to the heights of power, made the Senate his bitch, and was now probably the second most powerful man in the United States. The fourth volume in Robert Caro's epic (and unfinished!) biography of LBJ, The Passage of Power, tells how the man once feared, hated, and kowtowed to on Capitol Hill, on top of the world with his eyes on the prize, fell from supremacy to become a weak and powerless figure of ridicule... before an assassin's bullet, ironically, would bounce him back into power. The Kennedys As with the previous volumes, this book is not just about Johnson. To tell the story of LBJ, Robert Caro tells the story of everything and everyone around him, and as Johnson moved into the next stage of his political career, it would be defined largely by his relationships with the Kennedys. [image] John Fitzgerald Kennedy was a young Senator who, like most Senate newbies, had to spend years eating shit from Johnson. Johnson did not have a high regard for the kid, this "rich man's son" with a thoroughly undistinguished political career. Caro takes time to give us a brief biography of JFK before we even get to the 1960 Democratic primary, followed by the Presidential election. JFK's war record is well known, but what's less well-known is that JFK suffered for most of his life from excruciating, almost debilitating pain. When he served as a PT boat captain in World War II (and had a moment of heroism that was quite real, in contrast to LBJ's grossly inflated accounts of wartime heroics because he rode on one air mission under fire), he was in agony as the waves bounced his little boat around. He eventually underwent surgeries that almost cost him his life. All this was unknown to Johnson, who wrote him off as a pampered lightweight. But the fact that Kennedy had been hiding pain his entire life behind a cheerful, stoic mask explains why LBJ's theatrics and coercive tricks never worked on him. Also unknown to Johnson (or to me, until this book), was what a canny operator Kennedy was. His Senate career was undistinguished; he passed almost no legislation, was attached to no prominent bills, and took no memorable stands. As it turns out, this was his plan all along. Because like LBJ, JFK was always planning to be President. Having been master of the Senate for years, Johnson was now facing the dilemma that resulted from that: he was well known to both his friends and his enemies, and he was a polarizing figure. In particular, being from the South, and without a history of supporting civil rights (his passage of the Civil Rights Act of 1957 notwithstanding, the tale of which is told in the previous volume), Johnson faced a serious uphill battle. Kennedy, on the other hand, was glamorous, had impeccable liberal credentials, and had carefully avoided controversy or antagonizing anyone in his time in the Senate. He'd studied history, read the mood of the country, and basically adopted a policy of being a do-nothing Senator as the best path to the Presidency. Turns out, he was right. In 1960, Johnson's allies urged him to run for the Democratic nomination, and Caro describes in his usual thorough detail all the maneuvering, electoral politics, and vote counting involved in securing the party's nomination, a description that might be of interest to those following the Democratic Primary today, in the year 2020 (at the time this review is being written). Showhorse candidates? Spoilers? Late entrists? 1960 had them too. Though not nearly in such numbers. And one of the tragedies of this campaign (for Johnson) is that as Caro tells it, once again his own flaws undid him. Johnson wanted the Democratic Party's nomination. He wanted it badly. But he denied it. He spent months claiming he absolutely was not going to run for President. He waffled and refused to commit, even when it was long past the time for commitment, even when his allies were begging him to get in there, even when he was being told he had a good chance of winning it if he just announced. Why did he delay? Because Johnson couldn't stand to lose. His entire life, he'd feared one thing more than anything else: being beaten. Being humiliated. This towering flaw of his was that he would rather not try at all, than try and fail. And he wasn't convinced he could win, and feared letting everyone know how much he wanted it. But eventually, finally, he did announce, and he ran against Kennedy (and Adlai Stevenson) for the Democratic Party nomination. Possibly he could have gotten it, had he started earlier. But Kennedy's momentum was too great, and what Johnson feared most of all happened: he lost. [image] Now Caro spends some time giving us a short biography of JFK's younger brother, Robert Kennedy. Robert Kennedy will be important in the Lyndon Johnson story, because their enmity was one of the great political death-matches of American history. Bobby, it turns out, was kind of a dick. He was violent and ruthless in his passions. Caro tells us several incidents from his younger days — a nasty bar fight, a time when he abandoned a friend on a sailing boat out of sheer callowness — and then his time as a federal prosecutor, pursuing organized crime, the Teamsters, and his great nemesis, Jimmy Hoffa. But Bobby was JFK's wingman, and Bobby hated Johnson. He saw right through Johnson, knew him to be a liar and an operator, and also hated Johnson for how he had attacked their father, Joe Kennedy, many years earlier (a fact that Johnson denied, and which Bobby then looked up to verify, and confirmed that Johnson was lying). So, Bobby was not exactly thrilled when his brother made Johnson his running mate. [image] Here, Caro has apparently opened up some old wounds and stirred controversy anew, 50 years after the fact. Because there are alternate versions of what happened in a Los Angeles hotel room in 1960, and most of the principals are dead, while those who do remember it have mutually contradictory versions which they all appear to believe wholeheartedly. The "official" version, the one both JFK and Johnson insisted upon, and never deviated from while they were alive, is that Kennedy offered Johnson the Vice Presidency and he accepted. But other accounts (namely, those of Robert Kennedy and his supporters, including the historian Arthur Schlesinger, a Kennedy partisan and no friend of Johnson) claim that the offer was never meant seriously, that it was extended as a courtesy and they didn't expect Johnson to accept. They needed support from the South; Kennedy couldn't win the Presidency without the South, and this was the calculation that went into putting Johnson on his ticket. But even Johnson later claimed that Bobby had gone behind his back and tried to get JFK to take him off the ticket. There were a lot of phone calls and backroom dealing that night, and we may never know the truth, but Caro seems to lean towards the Kennedy-Johnson version of events, while allowing that there might have been something to JFK's reluctance to make Johnson his running mate. Kennedy and Johnson went on to handily (or narrowly, depending on whether you look at electoral votes or the popular vote) defeat Richard Nixon and Henry Cabot Lodge, and Lyndon Johnson spent the next four years eating shit. "Rufus Cornpone" You might not think being Vice President of the United States is a shit job, but it turns out, it's actually kind of a shit job. This has actually long been a running joke in Washington. The Vice President isn't actually expected to do much except take over if the President dies. (A fact about which Johnson made a joke — "I looked at the numbers, historically, and now I have a one in five chance of becoming President" — that would turn out to be prescient and not so funny...) First, Caro tells us how Johnson tried to continue his old shenanigans. "Power is where power goes," he always said, and he had a scheme for retaining his power over the Senate even while he moved into the Vice President's office (which, at the time, was not in the White House). He tried to put together a "caucus" over which he would preside, effectively keeping his power as the Senate President even though he was no longer a Senator. His fellow Senators weren't having that, and they quickly let him know. The Senate was jealous of their prerogatives, mindful of the separation of powers, and sure as hell not going to let Johnson usurp authority in his old style. Even his closest allies let him know that this wasn't happening, and Johnson was forced to backtrack. So he spent the next four years becoming a shadow of his former self. He was morose, he felt his career was over. The Vice President does not, under the Constitution, actually have any responsibilities or authority except what the President chooses to give him, and while Kennedy was always gracious and polite to his Vice President, he rebuffed many of Johnson's attempts to take a larger role in decision-making, and in the end, Johnson was shut out of most of the major meetings of his Presidency. Caro describes the Cuban Missile Crisis, and the psychological effects of the Bay of Pigs Invasion on Kennedy, but also, crucially, how Johnson played almost no part in any of these events because Kennedy literally didn't bother to have him in the room. Johnson was ridiculed, sometimes openly disrespected, by Kennedy's men, though never by Kennedy himself. Robert Kennedy, in particular, went out of his way to marginalize and humiliate Johnson on multiple occasions. Magazines ran mocking articles: "Whatever happened to Lyndon Johnson?" He became a figure of fun, "Rufus Cornpone," a folksy Texan with corny stories and no sense of style. He could be forgiven for believing that this was the nadir of his career. [image] And it got worse. Because the Washington Post had begun investigating Johnson's long-time personal assistant, Bobby Baker, who was a "fixer" on Capitol Hill and becoming embroiled in a sex and favors scandal that threatened to drag Johnson into it. Time Magazine was investigating the source of Johnson's money. Johnson had covertly and craftily become a very rich man while never holding anything other than relatively low-paying government jobs. All of this was getting ready to boil out into the open, there was talk that Kennedy might actually drop Johnson from the 1964 ticket (speculation that has persisted to this day, though like the speculation that Kennedy never wanted Johnson as his running mate in the first place, Kennedy always denied it), and it seemed like Johnson's career might truly go down in flames. And then one of the worst things that ever happened to the country probably was the best thing that ever happened for Johnson's career. [image] Caro goes through the events leading up to that famous car ride in Dallas, including the multiple humiliations Johnson had suffered on the trip. He also takes us through the aftermath: its effects on Johnson, on Jackie Kennedy, on Robert Kennedy. The process of Johnson being sworn in, Jackie insisting that the world see her in her bloodstained dress. RFK and LBJ's conflicting accounts afterwards about Johnson's phone calls to ask about when and how his swearing in as President should occur. Caro doesn't dwell long on conspiracy theories or any of the other history behind the Kennedy assassination, except to dismiss one of the many theories that have occasionally been suggested: he found no evidence, in all his extensive research, in all the letters and documents he studied, in all the interviews and recorded footage he reviewed, to suggest that Johnson had anything whatsoever to do with Kennedy's assassination. And everything we know now suggests that Johnson was genuinely distraught and horrified. He might have been unhappy, he might have felt marginalized, but in public and in private, he had never expressed anything but admiration and loyalty to JFK, and he also seemed to suffer a personal sense of aggrievement that the President had been assassinated in his state of Texas. "Well, what's the Presidency for?" Johnson seized the reins of power, and now, as Caro tells it, he rose to the occasion. It would be an exaggeration to say he suddenly became a different and better man. He was still Lyndon Johnson. And yet, maybe he did become a different and better man. Suddenly POTUS, Johnson charged forward with Kennedy's program, determined to get done the things Kennedy had meant to get done. And one of those things was civil rights. JFK had ignored Johnson's sage advice on how to get a bill through the Senate. Johnson knew all the tricks, and how the Southerners could stall legislation they didn't want to reach the floor, but Kennedy didn't listen, and the Senate was in a state of dysfunction. The tax bill, the budget bill, and everything else was all stalled because Harry Byrd of Virginia wasn't about to let a civil rights bill move forward. Johnson's advisors told him to let it go, that the President had limited political capital, and he shouldn't expend it on a losing battle days into his presidency. To which Johnson said, "Well, what's the Presidency for?" And suddenly this magnificent bastard, who'd been against civil rights until he was for them, who'd convinced his fellow Southern Democrats for years that he was with them in his heart, whose other favorite phrases included things like "It's not a politician's job to go around talking about principals!" stood up before the country, gave a State of the Union speech, and before Congress and all his Southern allies, gave such a ringing endorsement of civil rights that even Martin Luther King, Jr. had tears in his eyes. It's a testament to LBJ and his lifetime of political maneuvering that he slipped a knife into the back of his fellow Southerners right then and there, he did it openly, before their very eyes, and yet they still didn't realize it. They still believed Johnson didn't really mean it. But he did. (postscript in comments...) ...more |
Notes are private!
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1
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Feb 22, 2020
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Mar 09, 2020
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Feb 22, 2020
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Audible Audio
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B01MU4SLKN
| 4.34
| 517,380
| Feb 07, 2017
| Feb 07, 2017
|
really liked it
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"A woman's lot is to suffer." There is a lot of suffering in this novel. Pachinko spans 80 years and four generations of the Baek family, Koreans who
"A woman's lot is to suffer." There is a lot of suffering in this novel. Pachinko spans 80 years and four generations of the Baek family, Koreans who move to Japan during the colonial era, and remain there, through the war and the reconstruction, through the rise of Japan as an economic power, and through marriages, births, deaths, and tragedies. Ethnic Koreans in Japan have suffered a long history of discrimination. Small numbers came to Japan during the colonial era, when Korea was under Japanese occupation, and more came in the turbulence of the 40s and 50s. They were never considered Japanese, and treated as a despised underclass, relegated to ghettos and low-status occupations, and subjected to stereotypes about Korean criminality, dirtiness, promiscuity, and violent tempers, which of course led many Koreans in Japan to actually becoming involved in organized crime, having few legitimate careers open to them. Sound familiar? To this day, third and fourth generation Korean-Japanese are still not considered Japanese citizens — they are "registered aliens" who must periodically renew their registrations, and can theoretically be "deported" to Korea, even if they have never set foot outside of Japan and don't speak a word of Korean. Sound familiar? There is a process by which ethnic Koreans (and other resident aliens) can become naturalized citizens of Japan, but it's difficult, and for Korean-Japanese it evokes complex sentiments about identity and citizenship. This is the cultural backdrop of Pachinko. Sunja Baek (or Baek Sunja if given properly, Korean and Japanese fashion, surname first) is the pretty daughter of a poor fisherman's family in Korea in the early 20th century. Her poor but happy family life is disrupted when a handsome, educated gentleman rescues her from a gang of Japanese schoolboys who were about to rough her up or worse. Koh Hansu is a wealthy Korean who was educated in Japan. Quite taken with teenage Sunja, they become a couple, and Sunja soon becomes pregnant. Sunja is delighted, thinking her handsome lover will marry her. To Sunja's shock, but certainly not the reader's, it turns out that Koh Hansu is already married and has a family back in Japan. Hansu is no scoundrel, however. He actually offers to provide for Sunja and their child, and wants to continue to be part of their lives. Sunja, however, is a very old-fashioned sort of girl, even if she did let herself get seduced by an older man who she thought was going to marry her. She is unwilling to shame her family by accepting a life as a rich man's mistress, and so she rejects him and resigns herself instead to a miserable life as a single mother in 1920s Korea, which makes being a single mother in 1920s America seem libertine. Sunja is rescued, however, by a kindly if sickly young Korean Christian named Isak ("Isaac"), who falls in love with her and offers to marry her and claim her child as his own. Sunja accepts the offer, and becomes his devoted and faithful wife. Isak brings her to Japan, and the saga of the Baeks goes on for several generations, with the book taking us to 1989, where an elderly Sunja, now a grandmother, looks back on her life and its many tragedies from a place that is more comfortable than she could ever have imagined, in her Korean fishing village before the second World War. Pachinko is a complex and well-plotted story about identity, ethnicity, and family. The story of the Baeks is the story of Koreans in Japan, suffering discrimination and heartbreak, living and working in Japan, speaking Japanese, but never being Japanese. Japanese claim they can spot Koreans, yet the fully-assimilated Koreans who speak perfect Japanese walk among them invisible. The feelings of Sunja's sons and grandsons have for their country which is not "their" country (born in Japan, they still have Korean passports) is complex, and plays a part in the tragic fate of one son who has inherited Sunja's inflexible morality. Meanwhile, Koh Hansu, never completely out of her life, has made a life for himself also, a prosperous "businessman" who has all along been part of what would become a major Yakuza organization. Sunja's other son becomes the rich proprietor of a series of pachinko parlors, a casino-like business dominated by Koreans and thus of course considered disreputable and associated with organized crime. Pachinko's author, Min Ja Lee, is Korean and spent years living in Japan to research this book, so it has the ring of authenticity, and Lee writes very compellingly about complicated characters with complicated motivations. If you like multigenerational family soap operas and historical fiction, two Mitchells come to mind by way of comparison: David Mitchell and Margaret Mitchell. If you like either of those two authors, you won't find this book disappointing. When I was a kid, we had a pachinko machine like this: [image] ...more |
Notes are private!
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1
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Jul 02, 2019
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Jul 11, 2019
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Jul 02, 2019
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Audible Audio
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B004QXZPYS
| 3.93
| 5,444
| unknown
| Mar 07, 2011
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liked it
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In the 1970s, an author named Rodney William Whitaker wrote best-selling airport paperbacks under the pen name "Trevanian." His most famous novel was
In the 1970s, an author named Rodney William Whitaker wrote best-selling airport paperbacks under the pen name "Trevanian." His most famous novel was Shibumi, a thriller about a Japanese-raised son of Russian aristocrats named Nicholai Hel. The story was just a typical Men's Adventure tale about an over-the-top action hero who was more Japanese than the Japanese, more Basque than the Basque, and more badass than a barrelful of GI Joes. It was full of lurid sex and violence and enough racist, sexist cliches to give modern SJWs seizures. What made it a truly great novel, though, was the fact that "Trevanian" was taking the piss out of his audience, which was evident to anyone who could read the subtext of all the characters' speeches. Nicholai Hel was a ridiculous parody of every Mighty Whitey superhero from Tarzan to James Bond, and he said right on the page that Americans were tasteless, cultureless, soulless boors who assuaged their lack of intellect or character by reading crappy novels about Mighty Whitey superheroes. One got the impression that Trevanian was fairly seething with hatred for the very readers who made him a bestseller. Taken at face value, Shibumi was still a fun novel, and Trevanian was a much better writer than Ian Fleming. But I think it was much easier to appreciate as a work of meta-textual satire. Or to put it another way, Trevanian was a literary troll. So along comes a modern writer of violent thrillers, Don Winslow, whose agent got him a deal to write an authorized sequel to Shibumi. Winslow renders faithfully the character introduced to us in Trevanian's novel, and in Nicholai Hel's adventures in Paris, China, and Vietnam, gives us the same lethal, go-obsessed killer who was so entertaining in the previous novel. But Satori depicts a younger Hel, immediately after World War II, not quite as accomplished (no "Level Five Lovemaking") or deadly or imperturbable, not yet a master of espionage, and most importantly, not a scornful philosopher issuing pithy denunciations of modern society. Inasmuch as Winslow has tried to present a follow-up to the adventures of Nicholai Hel, he's written a novel that is compatible with Shibumi and fills us in on Hel's earlier life. He admits in his author's notes that he could not, and did not try, to emulate Trevanian's voice. But he's thereby abandoned much of what made Trevanian's novel great, rendering a fairly standard adventure novel that Trevanian and his character mouthpieces would denounce as hack fiction. In Satori, Nicholai Hel has been captured by Americans after the occupation of Japan. Originally hired as a translator, Hel killed his mentor, a Japanese general, to spare him the humiliation of a war crimes trial and execution. The Americans don't react well to this, and Hel gets some special treatment from a sadistic CIA officer. Then for contrived reasons, they decide they need Hel to do a job for him, and make a deal to offer him his freedom and a new life if he'll just go kill the Russian ambassador to Communist China in Peking for them. How this is set up - the whys and wherefores - make sense, more or less, in the novel, but it's all just background to send Hel on a trip to China, dodging Maoist secret police and trying to assassinate a Soviet bureaucrat who turns out to have some history with Hel's mother. So there's lots of espionage and torture and martial arts, and then Hel has to escape China, and winds up in Vietnam doing arms deals as a fake French arms merchant while the French, the Americans, and various factions of the Vietnamese are all out to get him. Along the way he also falls in love with a French prostitute, and while it may technically be a spoiler, I'm sure everyone else who reads this will have exactly the same reaction I did when she was introduced, which was the absolute certainty that she would not survive to the end of the book. I would highly recommend you read Shibumi first. Then, if you like that book, you will probably appreciate Satori, but just don't expect the same kind of book. ...more |
Notes are private!
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1
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Feb 2018
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Feb 08, 2018
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Feb 01, 2018
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Audible Audio
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B007R0L1RC
| 3.87
| 6,318
| 2007
| Apr 03, 2012
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liked it
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I wanted this book to be more interesting than it was. I usually enjoy these tales of harrowing survival in hostile environments, whether it be on the
I wanted this book to be more interesting than it was. I usually enjoy these tales of harrowing survival in hostile environments, whether it be on the slopes of Mount Everest, the wilds of Alaska, or the Arctic seas. The Finest Hours is about four Coast Guardsmen who ventured out into a New England storm in 1952 to save the crews of two tankers that cracked up in the waves. It is a harrowing and heroic story, but it was also a fairly straightforward one. The Pendleton and the Fort Mercer were both old ships built with "dirty steel," and failed to withstand the battering of an Atlantic storm. The Coast Guard sent a pair of 36-foot lifeboats out to rescue the crewmen who were aboard the floundering vessels. With surging waves and icy water tossing them around, they only managed to save some of the sailors - others died trying to jump from one deck to another, or falling into the waves and being unable to reach rescue. It traumatized some of the survivors, who were all given medals afterwards and became media darlings in the early television age. But there isn't much more to the story - it was basically two ships in distress and the Coast Guard doing its job. The author pads this short book with a bit of history about the Coast Guard, and follows up on what happened to the survivors afterwards, but while a worthy story, it just wasn't as memorable as Shackleton's journey or one of Jon Krakauer's books. ...more |
Notes are private!
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1
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Nov 28, 2017
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Nov 30, 2017
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Nov 28, 2017
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Audible Audio
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B01B215QMW
| 4.02
| 46,177
| Feb 16, 2016
| Feb 16, 2016
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really liked it
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Lovecraft, from the very beginning, has inspired others to play around in his universe. He invited his writer friends to do so while he was still aliv
Lovecraft, from the very beginning, has inspired others to play around in his universe. He invited his writer friends to do so while he was still alive, and authors have continued to do so ever since. It's even more inviting nowadays since his works are mostly in the public domain so literally anyone can write a Cthulhu mythos story without fear of copyright lawsuits. This is probably a large part of why Lovecraft has inspired an entire subgenre for generations. Of course, there is the dark side of Lovecraft, well known to his fans and his detractors alike. [image] Howie was a big ol' racist. Not just "a man of his time," but really, really racist. Even for his time. Matt Ruff confronts this head-on in this collection of stories about an African-American family's struggle with the Order of the Ancient Dawn. Atticus Turner, searching for his missing father, discovers that his pop is being held captive in the mansion of Samuel Braithwhite. The Braithwhites once owned Atticus's ancestors. Samuel Braithwhite needs Atticus because (as was so often the case), his progenitor did a bit of miscegenatin' with his slaves, and Atticus, Negro or not, is a scion of the Braithwhite bloodline. And Samuel Braithwhite is, among other things, a "natural philosopher," which is their fancy name for "sorcerer" although they deny it. Needless to say, the Braithwhites' plans for Atticus and his kin are not to the latter's favor, but as Atticus, his father Montrose, his Uncle George, and the spirited and resourceful Leticia and Ruby all get involved in a conspiratorial mess from which they only want to extricate themselves, they begin to acquire power and knowledge of their own. Set in the 1950s, much of the villainy in this book is of the mundane sort, the everyday discrimination and threats that all African-Americans faced just for being. But Atticus and his father and friends face far more, since they have drawn the attention of a secret order of power-mad sociopathic wizards. Fortunately, they are up to the challenge. Atticus himself is genre-savy, what we'd call nowadays a member of the fandom even, since he has actually read H.P. Lovecraft. (His father took a perverse pleasure in digging up Lovecraft's infamous "n-word" poem and showing it to his son.) Lovecraft Country, aside from name-checking HPL himself, does not really delve too deeply into the Mythos. There are no appearances of Great Old Ones, and the Turners do not go looking for Elder Signs like investigators in a Call of Cthulhu game. The book is really a series of connected adventures. Each one was good and each one advances the story, being both a tale of ordinary people trying to defeat the sinister Order of the Ancient Dawn, and a tale of ordinary African-Americans trying to get by in the era of Jim Crow. Matt Ruff handled both aspects of the milieu deftly and brought the volume to a satisfying climax. He avoided many of the pitfalls of such stories by not making the African-American characters too noble, too virtuous, and too clever, and even the (mostly white) villains of the story were not always pure racist evil. (Indeed, Caleb Braithwhite, the son of Samuel Braithwhite, is a dangerously likable evil mastermind.) I enjoyed this book by a previously unknown-to-me author much more than I thought I would, and I would recommend it to all Lovecraft fans. It's also a book that meets that trendy demand for "diversity" in genre fiction without pandering to it. ...more |
Notes are private!
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1
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Aug 18, 2016
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Aug 23, 2016
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Aug 18, 2016
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Audible Audio
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B0DLSR44Y5
| unknown
| 3.90
| 23,680
| 1955
| Jun 04, 2007
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liked it
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Another one of those classic novels that inspired multiple cult-classic films, but have rarely been read by the people who saw the movie(s). Invasion o Another one of those classic novels that inspired multiple cult-classic films, but have rarely been read by the people who saw the movie(s). Invasion of the Body Snatchers is a classic "B" movie, and this book is a classic "B" novel. I was not blown away by it, but it's a decent page-turner. Also, it gets extra credit for creating many of the tropes that are now old hat in sci-fi. Set in Mill Valley, California, the protagonist is a psychologist, recently divorced, who sees several patients in succession who report to him a conviction that their husband, sister, or English teacher isn't really who they're supposed to be. The "patients" can't explain how they know - the supposed dopplegangers are exactly like the originals in every respect. They have all the original's mannerisms, they remember things only the real person could know, they have all the correct scars and other distinguishing marks. There is just something missing. Dr. Bennell, being a pragmatic and compassionate sort, initially assumes his patients are deluded in some fashion. He takes great pains to explain to the first woman to come to him that she's not crazy, and patiently goes over other explanations. Then when more patients start reporting the same thing, he begins to believe it's a case of mass hysteria. Then he finds a body lying on a shelf, hidden in an unused cupboard. A "blank" body, missing distinguishing features and fingerprints, yet still warm. Gradually, he and his new sweetheart, an old flame who is thrust together with him by circumstances, realize that something is very wrong in Mill Valley. They enlist others who have also realized the same thing, and skeptics like another psychotherapist. The aliens are really less interesting than the psychological tension created by the story, first as the reader, like the protagonist, is forced to wonder whether there really is an alien invasion going on or if people are simply losing their minds, and then, as it becomes evident that people really are being replaced by aliens, by the question of who's really an alien and who can be trusted. One by one, they'll get you... or your friends... or your family... [image] Invasion of the Body Snatchers has later been interpreted as a metaphor for the spread of communism, or the paranoia of McCarthyism, or whatever else people wanted to project onto it. In the afterword for the audio edition, the narrator, who is the son of the producer of the original movie, says that his father never had any such ideas in mind. He was just trying to make a good movie on a very limited budget. I doubt Jack Finney, the author of the novel, intended any highbrow interpretations either. At its heart, this book is just a straightforward invasion story. As a work of science fiction, it's a bit weak - the premise of alien seeds being carried to Earth by stellar winds is fine, but the book stretched my suspension of disbelief after that, as the biology of the invaders made no kind of sense, nor did the ending. (The ending of the book is significantly different from the movie versions.) The book is popcorn entertainment, but as a modern classic based on an idea that definitely has a creepy quality all by itself, it's worth reading. ...more |
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Feb 24, 2016
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Feb 27, 2016
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Feb 25, 2016
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Audible Audio
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B0DM1GJLM4
| unknown
| 4.23
| 2,755
| 1977
| Jan 25, 2008
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it was amazing
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Algeria, "France's Viet Nam," is a conflict most people outside of France and Algeria don't know much about. You've probably heard it was one of the l
Algeria, "France's Viet Nam," is a conflict most people outside of France and Algeria don't know much about. You've probably heard it was one of the last anti-colonialist wars, and that it pitted Muslims against Westerners, and that there were atrocities on both sides. But the details are fuzzy for most Americans after half a century. It was a conflict happening in a part of the world we didn't care much about at the time, and even during the Cold War, neither the US nor the USSR was heavily invested in it. But, it brought down several French governments, almost led to more than one coup, did (at least indirectly) lead to France pulling out of NATO, and set the tone for French relations for decades. As well, the fate of Algerian Muslims who emigrated after independence echoes to this day in France - every time you hear about riots by "unemployed youths" in French urban areas, they are usually talking about the descendants of those refugees. Alistair Horne's book, A Savage War of Peace, is considered pretty much the definitive book on the subject. It is comprehensive, and on audio it's difficult to keep all the names straight for an American reader - everyone, after all, is either French or Algerian, and the cast of characters is huge. Successive governments, movements, splinter groups, all tussling over a patch of North Africa for eight bloody years. At its heart, the Algerian war was a war for independence. The Algerians wanted to be independent; France didn't want them to be. But it was different from some similar colonial struggles for several reasons. France did not consider Algeria to be a colony; Algeria was considered French soil. Therefore, giving up Algeria was akin to giving up Normandy. While Muslims in Algeria did suffer from racism and a sort of apartheid which only grew worse during the war, the Pied-Noirs ("Black Feet"), or native French residents of Algeria, were another faction with interests that were not always aligned with those of their erstwhile countrymen back home. Some of them had been living in Algeria for generations. They had mixed and complicated views of their Muslim neighbors - often they were friends and colleagues, but always there was racism and European superiority. When the war broke out, as in the Middle East, or the Balkans, people who'd lived side by side peacefully for years would suddenly turn on each other with incredible savagery. The Question The war brought out incredible savagery on all sides. The FLN (National Liberation Front) and MNA (National Algerian Movement) operated like guerrilla/terrorist groups always do, butchering men, women, and children. The French Army, in response, began to make systematic use of torture, a scar that France has not yet healed from. "The Question," as it was called in France, was controversial even at the time, with some defending it with the familiar "ticking time bomb" defense, while at least one French officer, faced with the prospect of a literal time bomb, elected not to use torture and hope the bomb wouldn't go off (it didn't). The issue of torture is of course one Horne covers heavily in the book. He examines whether it really was necessary and/or effective, and argues that it was not, while also admitting that in fact the French army would not have been able to roll up the FLN the way it did without its extensive intelligence network backed by torture. He also describes how French bureaucrats and military officers debated the nuances of what did or did not qualify as "torture," in the same sort of arid, legalistic language we have heard US officials more recently use to defend waterboarding. It's not the only thing in the book that clearly resonates today. (In fact, in one of his afterwords, the author says he sent a copy of his book to the Bush White House, hoping to impress upon them the importance of not going down that path. He never received a response.) The Algerian War was unquestionably a brutal one, and the catalog of atrocities committed by both sides is horrific. Dismemberments, rape, prolonged torture, dashing babies' skulls against walls, carving out brains and guts and scattering them on the street, as well as the usual bombs left in cafes, drive-by shootings, and frequent assassinations, were constant for eight years, right up to the end when the MNA was trying to derail peace talks. Ideology Today we'd describe this as a struggle against Islamists, but while Algerian independence was clearly a Muslim movement, it wasn't that simple. Some Muslims were loyal to France; many French were sympathetic or even outright supportive of the FLN, and the Pied-Noirs themselves were divided over the great question of Algerian independence. In fact, Islam was hardly a factor in the war at all, other than one side being predominantly Muslim. Communism was probably a stronger guiding principle for the resistance, and even communism was more of a unifying ideology than an actual motivation. De Gaulle Algeria brought Charles De Gaulle to power, and almost cost him his life. The great irascible statesman, formerly a French Freedom Fighter during Nazi occupation, seemed perpetually playing both sides in the conflict between leftists who wanted to give the Algerians their independence and right-wingers who wanted Algeria to remain French. [image] Ultimately, De Gaulle would be responsible for cutting Algeria loose, but to this day, the author can't say for certainty what De Gaulle's intention had been from the beginning, and when or where or whether he changed his mind. But De Gaulle himself is an interesting character worthy of his own book, and his maneuvering, his tantrums, his diplomacy, and his leadership are all an intrinsic part of the Algerian War and its resolution. The author includes several afterwords following the original publication of this book in 1973. One was in the 1980s, after he'd been able to interview many more people who were involved in the war who he hadn't had access to when he was first writing the book. Another is post-9/11, in which he describes Algeria today (well, early 2000s), and how the unrest in the Middle East, the Palestine/Israel question, and all those other issues that have riven the Muslim world have played a part in also affecting a relatively separated and not-so-Muslim Algeria. For all that, the book is almost entirely about a conflict that happened half a century ago and is of mostly historical interest now. There are certainly things to reflect upon, in the way they have affected France and Algeria in the modern day, but that was a different world. But it is valuable history and a bloody, savage war that merits this sort of close examination. I recommend it to anyone who'd like greater understanding of some of the factors that still affect French life and politics, as well as an early look at the sort of Western/Muslim conflicts that would come to dominate the 20th and 21st centuries. ...more |
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Mar 29, 2016
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Apr 10, 2016
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Jan 13, 2016
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B00QSFX3OQ
| unknown
| 4.19
| 43,911
| 1953
| Dec 09, 2014
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it was amazing
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This is the sixth Philip Marlowe novel, but my first. Strikingly, compared to more contemporary mystery series I have read, I never got the sense that
This is the sixth Philip Marlowe novel, but my first. Strikingly, compared to more contemporary mystery series I have read, I never got the sense that the series had accumulated a lot of cruft in the form of secondary characters or events that long-time readers are expected to be familiar with. I don't know if some of the cops and other characters Marlowe encountered in The Long Goodbye appeared in previous novels, but this could just as easily have been Marlowe's first appearance.
Being a pulp noir detective, Marlowe naturally has much in common with Dashiell Hammett's Sam Spade, who was also played by Humphrey Bogart. [image] The Long Goodbye starts as two unrelated cases that naturally converge. First, a rich drinking buddy of Marlowe's gets in some trouble involving his wife, the trouble being that his wife has been bludgeoned to death. Marlowe doesn't believe his friend did it, and helps him get to Mexico. This lands him in all kinds of trouble, with everyone from the cops to hoodlums to the dead woman's rich father either working him over or threatening to work him over. They want to pin it on her husband, and they want to pin Marlowe as an accessory, and they certainly don't want him poking around and questioning the narrative. Marlowe guts it out, as tough noir detectives do, is released from jail, shrugs off the various threats and beatings, and then gets asked by a New York publisher to investigate what's bothering their biggest cash cow, a best-selling writer of schlocky historical romances. The author lives in idle seclusion in an exclusive enclave for the rich called Idle Valley, where he seems to be drinking himself to death, and going into alcohol blackouts in which he allegedly threw his wife down some stairs.
Marlowe doesn't take this story at face value either, and continues to get threatened, cajoled, and seduced by various parties, none of whom really want him to uncover the truth. The Long Goodbye is full of gangsters, crooked cops, tough guys, and hot blondes, but what made the book was Marlowe's stoic, principled, noble-in-spite-of-himself attitude, and Chandler's writing. My favorite passage:
I really liked this book. I expected it to be dated and hoary with old detective tropes, but the plot veered and swerved between lively characters, Marlowe was a stand-up guy who makes you understand why everyone wanted to be Bogey back in the day, and I suspect that like many authors who insert a tormented author into the plot, Raymond Chandler was putting more than a bit of himself into the alcoholic writer Roger Wade, who has married a stunningly beautiful wife, makes huge amounts of money, and feels unworthy and not living up to his talent. A great read, which makes me want to go back and start with The Big Sleep. ...more |
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Jan 05, 2016
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Jan 07, 2016
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Jan 05, 2016
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1452628351
| 9781452628356
| 1452628351
| 4.14
| 320,891
| May 01, 1989
| Jul 23, 2012
|
it was amazing
| “What is the point of worrying oneself too much about what one could or could not have done to control the course one's life took? Surely it is enough “What is the point of worrying oneself too much about what one could or could not have done to control the course one's life took? Surely it is enough that the likes of you and I at least try to make our small contribution count for something true and worthy. And if some of us are prepared to sacrifice much in life in order to pursue such aspirations, surely that in itself, whatever the outcome, cause for pride and contentment.” Kazuo Ishiguro has mastered the art of the slow reveal, the plot running beneath the surface which never surfaces all the way. In this book, he has also mastered the voice of Mr. Stevens, the excruciatingly perfect butler of Darlington Hall, a man who is as inflexible and honor-bound and loyal as a samurai in his service to his employer. Describing a day trip he takes in the 1950s to visit a former employee of Darlington Hall, he continually goes back to the 30s, when his former employer, Lord Darlington, was a "great man" in British politics. He reminisces about the duties of butlers and the importance of a staff plan and the meaning of dignity, all in an unflinching utterly proper manner that refuses to betray a hint of doubt or distress or, indeed, emotion. “Why, Mr Stevens, why, why, why do you always have to pretend?” We learn, eventually, that Mr. Stevens had had deep reservoirs of emotion, buried for years, and doubts and regrets, which only emerge in the twilight of his career, at the remains of the day. The personification of the perfect English butler, confronted with mortality and lost opportunities and the realization that his employer might have let him down, has probably never been more perfectly captured. This is a rich story with very little drama - all the depths are between the lines. ...more |
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Oct 12, 2015
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Oct 15, 2015
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Oct 13, 2015
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Audiobook
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B00NTQOV0W
| 4.34
| 187,210
| 1965
| Jun 16, 2010
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it was amazing
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This is possibly the most depressing book I've ever read. It's not grimdark, it's not maudlin or sentimental, it's not a hopeless tale of a broken life This is possibly the most depressing book I've ever read. It's not grimdark, it's not maudlin or sentimental, it's not a hopeless tale of a broken life. It's the biography of a young farmboy who goes off to college to learn agricultural science, falls in love with English literature, and spends the rest of his life as an English professor. And through bad luck, principled refusal, and a certain amount of passivity, enters into a loveless embittered marriage, watches his career stagnate, his daughter become estranged, and everything he ever loved fall away like browning leaves. Except his love of literature, which never leaves him and is often his sole consolation across the long years. In the University library he wandered through the stacks, among the thousands of books, inhaling the musty odor of leather, cloth, and drying page as if it were an exotic incense. The author, a former English professor, sets his novel in a university much like the one where he taught, though he assures his former colleagues in the foreword that it is entirely fictional. His familiarity with the ins and outs of university life and the vicious nature of academia (as the old saying goes, the fights are so bitter because the stakes are so small) bring Stoner to life in hushed academic vivacity. "It's for us that the University exists, for the dispossessed of the world; not for the students, not for the selfless pursuit of knowledge, not for any of the reasons that you hear. We give out the reasons, and we let a few of the ordinary ones in, those that would do in the world; but that's just protective coloration. Like the church in the Middle Ages, which didn't give a damn about the laity or even about God, we have our pretenses in order to survive. And we shall survive - because we have to." William Stoner, a tall, lanky young man, has the beginnings of a promising career when he sets out on his academic path. The publication of his first book heralds what the rest of his life will be like - it is received as a "competent" work by reviewers. It would be easy to say that Stoner is a tale of frustrated mediocrity, except that Stoner the man is vividly self-aware, aware even that he has the potential for something more that he will never quite achieve. First it's his wife, Edith, a pale, tall, awkward girl from an affluent family, whom Stoner woos and wins because she can't seem to think of a good reason to say no. And from the moment of their wedding night, it's a disaster, his marriage to this spiritless, unhappy woman who will first be swallowed in depression and then wage subversive war against her husband, seeing that he has no peace or solitude at home, no comfort at her side, no hope of moving on to a better opportunity, and worst of all, when she sees that their daughter takes after her father with quiet, devoted seriousness, goes about driving a wedge between them and in the process destroys her daughter's spirit as well. At work, in one of the few moments when Stoner stands his ground, against an unqualified, farcically unprepared graduate student pushed forward for a doctorate by one of his colleagues, this turns into the defining millstone of his career, because it makes his colleague, who will soon thereafter become the department chair, a bitter enemy. And so Stoner will spend the next twenty years with a superior who despises him and sees to it that nothing good ever comes his way. When Stoner finds love at last, in the arms of a brilliant young graduate student, I was prepared to groan and roll my eyes. So cliched, the middle-aged college professor being rejuvenated by the healing power of fresh poontang. Really, John Williams, did you have to do a Philip Roth? But Stoner's love affair with Katherine is rendered so poignantly, so touchingly, both of them fully aware of what they're doing, and so inevitably doomed to end like every other happiness in Stoner's life, that it made me feel sorry for him, made his love real and bittersweet and tragic. In the end, William Stoner stands tall and alone, stooped by years and adversity, but never quite defeated. He has stood on his principles and suffered for them. He has had the chance to take the easy way out more than once, and never has, never abandoned his responsibilities or his promises, no matter how much they cost him. He is a man alone and apart. Dispassionately, reasonably, he contemplated the failure that his life must appear to be. He had wanted friendship and the closeness of friendship that might hold him in the race of mankind; he had had two friends, one of whom had died senselessly before he was known, the other of whom had now withdrawn so distantly into the ranks of the living that... This book hit me... at a certain time in my life. I'd be lying if I said I don't see a little bit of Stoner in me. Hopefully my life has not been such an abject lack of success. Hopefully there are still futures ahead that I can venture into and achieve some of what I started out meaning to do. But if Stoner is in fact reminiscent of all those other books I have sometimes wryly tagged as "dude lit" about dissatisfied middle aged white guys discovering their lives aren't all they cracked up to be, unlike those it doesn't offer apologies, excuses, or solace. It's a book that illustrates that everyone is deserving of sympathy; everyone can be related to as a human being whose life has tasted too much disappointment. And yet in the end Stoner isn't a failure, he isn't a loser, he isn't even miserable. The book his colleagues buy for the university library in honor of him - that is his memorial, the only thing to remember him by when he's gone, a rare book with an inscription, occasionally perused by some graduate student - may not be much of a mark to leave behind, but how much more of a mark do any of us get to make? ...more |
Notes are private!
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Jul 07, 2015
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Jul 12, 2015
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Jul 07, 2015
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B0DLSN72RD
| 4.12
| 202,995
| Apr 13, 2003
| Dec 09, 2008
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really liked it
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This claustrophobic thriller about paranoia and conspiracies is set on an island prison-mental institution in the 1950s. Teddy Daniels is a U.S. marsh
This claustrophobic thriller about paranoia and conspiracies is set on an island prison-mental institution in the 1950s. Teddy Daniels is a U.S. marshal sent to investigate the escape of a patient at Ashecliffe Hospital, arriving with a brand-new partner just as a hurricane is approaching the island. Teddy and his partner Chuck are supposed to find the escapee and determine how she escaped - fairly routine. Pretty soon, the story starts fraying around the edges. The doctors and the warden are as untrustworthy as the inmates. The prisoners claim they are being experimented on. And Teddy starts hearing whispers from his dead wife. The point at which Teddy starts hearing voices and we learn that he has his own reasons for coming to Shutter Island is when this thriller takes a departure from what was previously a straightforward plot. And as the story becomes more and more improbable, involving Nazi doctors, Soviet brainwashing, lobotomies and drug experiments and every single person possibly not being who they seem to be, the reader will obviously begin to suspect that it's Teddy who's insane. Dennis Lehane makes this claustrophobic book of paranoia-fuel work, despite increasingly incredible plot twists, by putting the reader in the mind of someone who has either uncovered a horrible, crazy-making conspiracy or is in fact crazy, or maybe both, and then keeping you guessing just as Teddy himself does. Of course a crazy person will claim to be sane, as Teddy recognizes. And of course a secret project to perform experiments on mental patients would be covered up by making anyone who tries to expose it look... well, crazy. Aided by the atmospheric description of the island and its hospital, enhanced by a timely hurricane, Shutter Island has its eerie moments and is solidly entertaining. I won't tell you at what point I made up my mind about what was really going on, but while I can't say I found the ending surprising, it wasn't completely predictable either. ...more |
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May 31, 2015
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Jun 02, 2015
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May 31, 2015
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Audiobook
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B0054ZCCK2
| unknown
| 3.99
| 13,146
| Jun 1953
| Jun 01, 2011
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really liked it
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If at first you don't succeed, get rid of the bitch and move on to the next sister. A Kiss Before Dying is a taut little thriller about a sociopath who If at first you don't succeed, get rid of the bitch and move on to the next sister. A Kiss Before Dying is a taut little thriller about a sociopath who conceives an ingenuous plan to seduce the daughter of a wealthy copper baron. Except she goes and gets pregnant before his plan can come to fruition. Since Daddy is the moralistic disinheriting type, he figures a kid before they are properly married and he's had time to work his charms and soften the old man up will just ruin everything. When he can't persuade her to get rid of it, he's left with only one option - a well-planned murder in which he manages to make it look like a suicide, and then avoid any connection between him and the dead girl. Which allows him to move on to daughter #2. But daughter #2 proves a little too intuitive — she starts putting clues together and realizing her sister didn't commit suicide, and wants to find out who murdered her. She figures everything out just a little too late. And our boy, as long on audacity as he is short on scruples, decides third time's the charm: the rich industrialist had three daughters, and after all that research he did to seduce the first two, he knows the oldest sister pretty well... As improbable as this story may sound, I couldn't really spot any plot holes. Sure, our protagonist needed a bit of luck here and there, but nothing so overwhelmingly coincidental as to be completely implausible. He's just a meticulous, cold-blooded schemer with a knack for manipulation. A lot of people want books with "relatable" protagonists. Well, the protagonist of this book is a murderous, gold-digging sociopath. You want him to trip up and get caught, and you want his victims to get away, and at the same time, the exciting part is finding out how he's going to get away with it. This book is dated now — it was written in 1954 and it's set in the early fifties, so the campus life described, and the so-visible class distinctions are not the same now, but that just makes this suspenseful novel a period piece as well. In fact, some of the period details are what made it interesting. For example, there is surprisingly little moralizing about the proposed abortion — she doesn't want to do it, but it seems more for emotional reasons than any real ethical or religious qualms. And it struck me that in some ways, the "boy from the wrong side of the tracks" was a thing that would be even harder to envision today — nowadays, we like to pretend that American society is less class-stratified, but that's because the rich are increasingly distant and out of sight. Working class people just don't socialize, at all, with the very wealthy, which makes it easier for us to pretend that there is no such thing as class. Ira Levin also wrote other thrillers, like Rosemary's Baby and The Stepford Wives, and with this pacey, suspenseful novel, it's easy to see how readily his stories became a part of pop culture. Definitely worth reading, and motivated me to read more by him someday. ...more |
Notes are private!
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Dec 28, 2014
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Jan 2015
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Dec 28, 2014
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Audible Audio
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1466854901
| 9781466854901
| 1466854901
| 3.59
| 827
| Oct 02, 2013
| Oct 02, 2013
|
it was amazing
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This was an excellent multi-generational story, set in Wakulla Springs, Florida. Starting in the 30s, Hollywood stars visit the (segregated) resort to
This was an excellent multi-generational story, set in Wakulla Springs, Florida. Starting in the 30s, Hollywood stars visit the (segregated) resort to film jungle scenes, from Johnny Weismuller's Tarzan to Creature from the Black Lagoon. Magic, mostly of the Hollywood sort, permeates the tale, but only towards the end does it truly intrude upon the characters' more or less mundane existences. This is a story about growing up black in segregated Florida, and growing up starry eyed with Hollywood heroes and black and white monster movies, and growing up with a love of swimming and not allowed to swim in the springs when white people can see you. Mayola is a dreamy, well-read girl who becomes a maid at the hotel like her mother, but a bit of Hollywood touches her and leaves her with a son, Levi. Levi watches her mother's boyfriend come back from the Korean War and challenge the resort's segregated policy, and then dreams of becoming a professional swimmer himself when Hollywood comes filming at the springs again. Levi's daughter returns to Florida as a biologist, tracking strange creatures in the swamps and unaware of the stranger ones she doesn't see. There is a timeless quality to this story, and the writing was superb. All the characters were real and fixed in time and place. Skunk Apes and 12-foot alligators and Hollywood stars in rubber monster suits all seemed equally part of the environment. It's only very loosely "fantasy" and seems more like a literary novella with a touch of the fantastic. But highly recommended. ...more |
Notes are private!
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Jul 16, 2014
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Jul 23, 2014
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Jul 19, 2014
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Kindle Edition
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B004GX2FQO
| unknown
| 4.08
| 46,671
| 1959
| Dec 21, 2010
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really liked it
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Pat Frank's Alas, Babylon is a classic novel of post-nuclear war survival. Set in Fort Repose, Florida, a tiny town that is missed by the nuclear miss
Pat Frank's Alas, Babylon is a classic novel of post-nuclear war survival. Set in Fort Repose, Florida, a tiny town that is missed by the nuclear missiles that level all major cities in the U.S., it is less Cold War science fiction than a survivalist epic. The author of One Second After acknowledged this book as one of his inspirations, and the two books are very similar in many ways. Both feature the residents of a small Southern town forming a survivalist community in the wake of the collapse of the U.S. government and technological civilization. In Alas, Babylon, it is a nuclear war between the US and the USSR, the ominous and inevitable build-up to war taking up the first half of the book, as only a few people realize just what is unfolding before them on the news. As in One Second After, Alas, Babylon features an All-American protagonist stepping up to take charge because no one else will, while he tries to manage his small family (in this case, the family of his brother, an Air Force officer who knew what was going down and sent them to relative safety ahead of time). There are food shortages, the necessity of modern people figuring out how to survive without modern technology, the return of the barter economy, as well as bandits and highwaymen. As a survivalist epic, it's not as grim as it could have been, but it's another one of those books that might make you think about stocking up on bullets and beans, just in case. For a book written in 1959, Alas, Babylon holds up surprisingly well, largely because as with all stories about a total collapse of civilization, once the grid goes down and there is no more government, it doesn't matter whether it was 1959 or 1980 or 2014, everything is going to look like the 19th century pretty quickly. The USSR is no longer, but Russia still has missiles pointed at us; nuclear war may no longer be as likely as it once seemed, but it's hardly a threat that's vanished. The black characters, despite living in Florida in 1959, are treated better by the author than in some more recent post-apocalyptic novels I could name. This was a good read for anyone who's a fan of survivalist novels and stories about what a community would do after the end of the world. Very slightly dated, but the writing style and the challenges facing the characters will mostly keep you from noticing. ...more |
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Jan 02, 2014
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Jan 08, 2014
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Jan 02, 2014
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Audible Audio
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0140189424
| 9780140189421
| 0140189424
| 3.76
| 15,649
| 1959
| 1996
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really liked it
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Huh — so, the plot of this book, I say to myself, having chosen it at random from Peter Boxall's 1001 Books list, is a rich white guy goes to Africa t
Huh — so, the plot of this book, I say to myself, having chosen it at random from Peter Boxall's 1001 Books list, is a rich white guy goes to Africa to learn the meaning of life from the noble savages. Oh, I can see that this will turn out well. Saul Bellow is one of those Big Literary Dudes I've never read, but by reputation I was expecting him to be kind of like Philip Roth or J.M. Coetzee (who I did not love) — lots of manly wangsting to the tune of Fond Memories of Vagina. Okay, let me dial down the snark. If you read Henderson the Rain King with your PC glasses off, it's actually a better book than I was expecting, with a certain exuberance and joie de vivre that endeared it to me. I'm pretty sure "joie de vivre" isn't actually what Saul Bellow was going for, as the protagonist is actually a rather depressive fellow, a middle-aged divorcee whose wife and kids don't understand him, a World War II combat veteran with scars of the sort that that generation never admits to, running off to Africa because despite being rich and comfortable, he can't get no satisfaction, a decade before Mick and the Stones. Actually, Henderson's constant internal refrain is I want, I want, I want, and he spends the entire book trying to figure out what it is he wants. But there is something I liked about that big galoot Henderson, despite the fact that he goes stomping around Africa like the blundering big-nosed American he is. He loves and respects the Africans he meets, referring to them unselfconsciously as "savages" but meaning it in a nice way, and otherwise never displaying any racial prejudices. Is he a great big schmuck? Yes, especially after his attempt to "help" the first tribe he meets goes disastrously wrong. Like the big impervious dumbass white man he is, he walks away unscathed, feeling very, very bad about it. He finds another tribe, becomes a friend and confidant of the king, becomes the Sungo, the Rain God, in an improbable feat that had me rolling my eyes (okay, seriously? You're gonna go there, Mr. Bellow?), but as it turns out, the tribe has been playing their own game all along, using the clueless white guy as an instrument in their machinations since he so kindly presented himself as a useful fool. That being said, just as Henderson has genuine affection for the Africans, in his oblivious, patronizing way, they have genuine affection for him — even if they are willing to literally throw him to the lions, should it come to that. Most of the book, though, is taken up with the inside of Henderson's head, which is a more interesting place than it has any right to be thanks in large part to Saul Bellow's writing.
Ah, why can't any SF authors write a space opera with prose like that? So this is a book about dudely dissatisfaction, yes, and it is kind of hard to feel sympathy for a millionaire who goes gallivanting off to Africa, deliberately seeking out the untouristed Africa and disappointed that there is so little untouristed Africa left. (As the first tribe he meets out in the hinterlands apologetically explains to him — in English — "We are discovered.") Bearing in mind this was written in the late 50s. Yet I did feel sorry for poor Henderson, and I even liked the guy. He makes a study of his own suffering, but he also tries to do right, ineptly but sincerely. And Saul Bellow paints him in big, bold colors, very much alive, very much complicated, an ultimately puny and comic human figure despite his vigorous strength and enviable wealth. My rating wavered between 3 and 4 stars, so I give it 3.5, and will round to 4. I didn't love it, but would not be averse to reading another of Bellow's works. ...more |
Notes are private!
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1
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Jul 08, 2013
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Jul 15, 2013
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Jul 08, 2013
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Paperback
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0226677184
| 9780226677187
| 0226677184
| 4.22
| 1,525
| 1975
| May 31, 1995
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really liked it
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It took me a year to read this entire saga. Four volumes each comprising three books make up Anthony Powell's A Dance to the Music of Time, originally
It took me a year to read this entire saga. Four volumes each comprising three books make up Anthony Powell's A Dance to the Music of Time, originally published as 12 books over the course of 24 years. We've gone from Nick Jenkins' boyhood, in which he has memories of the outbreak of World War I, to his senior citizen years as he watches with wry bemusement the arrival of the 1960s. The Fourth Movement is a bit grimmer from start to finish. It's not my favorite of the four Seasons. Powell has been introducing and reintroducing characters since the beginning of the series, and now they begin dropping like flies, constant reminders to Nick that he too is mortal. The first book, Books Do Furnish a Room, picks up a few years after the end of the last. World War II is in the recent past, but while Nick frequently reflects on his wartime experiences, it's the Fifties now, pops! X. Trapnel, a beatnik sort of deadbeat writer whose legend will grow larger after he passes away (off-screen, in typical Powell fashion) in the next book, is the central new personality Powell introduces. Nick is resuming his literary career, but we hear little about his own endeavors; he's much more interested in narrating the rise and fall of X. Trapnel, with his affections ranging from his name to his death's-head cane, who falls into the succubus-like embrace of Pamela Widmerpool. The Widmerpools — Kenneth and Pamela — loom large in these final installments. Their match-made-in-hell reaches truly abysmal depths before both of them are escorted offstage. Really, these last two books are full of as much grotesquerie as humor. They still have Powell's rich, nuanced prose and detailed characterization, but the touch is not as delicate as in the previous volumes, maybe because Powell has spent nine previous books arranging the Dance and now he's winding it down, whirling dancers off-stage one by one. Temporary Kings takes place ten years after Books Do Furnish a Room. Most of it takes place at a literary conference in Venice, where Powell introduces a few new characters, including some rather caricatured Americans.
Temporary Kings chronicles the beginning of the downfall of the Widmerpools. Pamela, after her disastrously sordid affair with the late X. Trapnel in the last book, is back with her husband, now Lord Widmerpool, and still humiliating him like a modern Megeara. Pamela's never-explained rage reaches a crescendo, intersecting with the American writer Russell Gwinnett and the American film producer Louis Glober, both sexual deviants in their own way but no match for Pamela's chthonian fury. And finally, there is Hearing Secret Harmonies, in which Widmerpool himself, at the end of a long life of ever-increasing power, becomes every bit as absurd and full of himself as always as a self-styled "counter-cultural" figure, rebelling against the Establishment in which he is a Peer of the Realm. Nick sees the arrival of the Hippies, and Powell's view of them can hardly be considered benign. Scorp Murtlock, the "reincarnation" (possibly literally) of Dr Trelawney, initially appears as a long-haired mystic in the company of one of Jenkins' nieces, but over the course of the book, he becomes an ever more powerful and sinister figure, finally contending with Widmerpool himself in what is, in one sense, the ultimate battle of two Men of Will, and in another sense, an anticlimactic coda to 12 volumes of careful, intricate lifelines involving scores of characters.
This is a series that requires a heavy investment of time and effort. It's not "plotty" and it's not fast-paced and while it's not lacking in drama, the drama is as often something that happens between chapters as on the page. So why should you read it? Because it's a masterpiece. A slow, convoluted dance spanning decades. It's not quite like anything else I've ever read, and I don't know that I'd want to read something else like it. It seriously took a year to wade through to the end, taking a break to read other books between volumes. But it is a masterpiece. Powell probably was one of the greatest writers of all time. ...more |
Notes are private!
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1
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Oct 25, 2012
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Dec 22, 2012
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Oct 25, 2012
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Paperback
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B0DLT98W3L
| unknown
| 3.94
| 3,922
| 1997
| Nov 18, 2011
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liked it
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This is my second try with John Banville. Once again, he impresses me with his ability to write nearly perfect prose and characters who are as flesh a
This is my second try with John Banville. Once again, he impresses me with his ability to write nearly perfect prose and characters who are as flesh and blood and flawed as any who ever breathed, while completely boring me. That's strike two, Mr. Banville, and two is all most authors get from me. Banville is a serious Literary Dude, and this is a serious Literary Dude's novel. The Untouchable is written as a memoir by one Victor Maskell, who is based on real-life Cambridge spy Anthony Blunt; although this is a novel, it's only loosely fictionalized history. Maskell, as he tells his story, was, like Blunt, formerly the keeper of the British royal family's art collection, and has recently been exposed as a Soviet spy since before World War II. Maskell is also a homosexual, which plays a large part of his narrative - he describes his sexual encounters with the same precise elegant prose as he talks about watersheds in history and his role as a Soviet double-agent.
Maskell is wry, cynical, sometimes humorous, and a bit depressive, looking back on a career that's been generally distinguished while always overshadowed by these twin secrets: he has lived his entire life in two closets, as a homosexual and a double-agent. He has few regrets, and he seems as much amused as he is upset by his public disgrace, the shock of his friends, the shame of his family. As brilliantly narrated as Maskell's story is, the problem is that it isn't much of a story. It's an old man reminiscing about being a young Marxist and a gay blade back when either one could get you hard prison time. There are no dramatic "spy" moments — even during World War II, he's just passing on not-very-important information to the Russians, until eventually he gets tired of the whole thing and rather anticlimactically (as much as a book that's had no suspense to begin with can have an anticlimax) drops out of the spy game. Then, years later, he's thrown under the bus by some of his former associates. (Figuratively, not literally; if anyone were actually thrown under a bus in this book, it would have been more exciting.) Most excellently written? Yes. Banville wins literary prizes — go John Banville. Did I care about Victor Maskell and his whiny, cynical, misogynistic moping after decades of being a Soviet spy? Noooo. If you have a real interest in this era, particularly with a realistically (if not particularly sympathetically) depicted gay character, then you probably won't regret reading this, but don't make the mistake of thinking that because it's about spies it's thrilling. ...more |
Notes are private!
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1
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Apr 25, 2012
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May 14, 2012
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Apr 25, 2012
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Audiobook
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160024159X
| 9781600241598
| 160024159X
| 4.10
| 86,974
| Mar 03, 2008
| Apr 29, 2008
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really liked it
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The first chapter starts with a pair of starving children in a Russian village in the 1930s, hunting a scrawny, skeletal cat, possibly the last surviv
The first chapter starts with a pair of starving children in a Russian village in the 1930s, hunting a scrawny, skeletal cat, possibly the last surviving creature on four legs in the region. Catching it may be life or death for them, and I was hooked right from the start. Child 44 is a brutal book, despite a relative lack of gore. It's actually not the rampant starvation and devastation of World War II framing the hard early lives of the characters that make the book most brutal, nor is it the child serial killer who is the central MacGuffin of the book. It's the pervasive, arbitrary, boot-in-the-face totalitarianism of the Soviet police state that makes every single encounter a life-or-death exercise in paranoia. After the prologue, Child 44 jumps ahead to the early 1950s, while Stalin's pogroms are still machine-gunning away. The protagonist is Leo Demidov, a war hero and State Security officer. At the beginning of the book, his life is about as cushy as life can get for anyone in the USSR who isn't a high-ranking Communist Party member: he has power, authority, a beautiful wife, a nice apartment, and he's been able to make sure his parents are comfortable. When the son of one of his coworkers is killed, Leo is told that the boy was killed by a train. It was an accident. He will inform the boy's family that it was an accident. The boy was killed by a train. The boy was emphatically not murdered, not found naked with his mouth stuffed with dirt, and not seen being led from the train tracks by a strange man. This is the state's official line, and therefore it is what Leo is to believe. When more children are found murdered, the state says they are all separate, unrelated incidents. Leo, who has been a true supporter of the state his entire life, starts to find the cognitive dissonance too much to bear. Leo also has a problem saying things he knows to be untrue, like when his loyalty is tested when he is told his wife is a foreign agent and must be denounced. Pretty quickly, Leo's comfortable life goes to hell, and he is given a humiliating demotion. He and his wife are spared from the gulags only by the fortuitous death of Stalin. But even in a nowhere town in the Urals, Leo finds that the child-killer is leaving corpses, all over the country. Child 44 was a gritty, thrilling story, as much about the horror of living in a police state where reality is what the state says it is and everyone measures what they will say and do according to what they think will keep them alive, never according to what might happen to be the truth, as it is about a serial killer preying on children in Stalin's Russia. Leo is an interesting protagonist: not precisely a "good" man but neither is he an evil one. He's been willing to work within the system his entire life, until the system turns against him, and then he has a sort of awakening of the conscience. Unfortunately, it's at this point where I felt the story veered a bit away from its solid beginnings. Having stacked the deck so thoroughly against Leo and made it clear just how overwhelmingly powerful the government is and how no one can be trusted, giving Leo the ability to continue what amounts to an independent investigation without being caught requires one lucky break after another, and the lucky breaks just keep piling up. People with no reason to trust him or help him do, his wife who hates him suddenly becomes his most loyal ally, and he slips out of one trap after another. No single escape was unbelievable, but by the end of the book I was thinking Leo Demidov is one lucky Russian SOB. On top of this were piled some equally fantastic coincidences that constituted the surprise twists. It was still a thrilling story with very interesting characters in what felt like a historically accurate setting, but I had to knock it down to 4 stars because of how much bending and stretching the plot had to do to allow an unlikely maverick protagonist to survive in the USSR. That said, I recommend it to anyone who likes mystery/thrillers and finds the premise interesting. This is the first book in a trilogy, and I'll certainly check out the next two books. I listened to the audiobook version, and I'm of two minds about the narration. The narrator was very good and gave each character a believable Russian accent. Therein lies the problem: these are Russian characters speaking Russian, so obviously they don't have accents. But this reading did bring to life the plodding, implacable mood of the setting and the Russians who inhabit it. I suspect to a Russian speaker it would be a different experience, and reading the book (unless you mentally give Russian characters Russian accents as you read) would also give it a different atmosphere. ...more |
Notes are private!
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1
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Feb 29, 2012
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Mar 13, 2012
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Feb 13, 2012
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Audiobook
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1597803537
| 9781597803533
| 1597803537
| 3.70
| 1,987
| Jul 26, 2011
| Aug 01, 2011
|
really liked it
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If you like the horror stories of H.P. Lovecraft or any of the authors influenced by him (which is pretty much anyone who has written a horror novel i
If you like the horror stories of H.P. Lovecraft or any of the authors influenced by him (which is pretty much anyone who has written a horror novel in the last century) then you should definitely read this. It's a horror story set in the 1950s South, mixing Elder Gods with the blues, full of gibbering, ichor-spewing corpses, mad cultists, twisting, writhing, tentacled abominations, and a final confrontation on a riverboat (of course). John Hornor Jacobs renders a loving, gory tribute to Lovecraft, moving a typical Cthulhu mythos tale from the chilly coast of New England to the backwoods of Arkansas. The story starts with Bull Ingram, a WWII vet who now works as hired muscle, being sent to Arkansas to find a man named Early Freeman and a pirate radio station that broadcasts songs that drive men insane. Bull, who as his nickname implies, is very, very big (a fact that gets emphasized in just about every single chapter, including the chapter with the sex scene in which yes, we learn that Bull is very, very big ifyouknowwhatImean) soon finds that he has bitten off more than even he can chew when he is attacked by a dead man and nearly driven insane by an encounter with a dark god. Of course he doesn't know it's a god, but with what's left of his sanity, he makes his way to a riverside honky tonk and witnesses a bloodbath of an orgy from which he barely escapes alive. Washing up on the shore of an estate downriver, he meets Sarah Williams, a one-time college girl now raising her daughter alone on her family's ancestral estate. This estate happens to be a place where 75 years ago, one of Sarah's ancestors got up from his deathbed and hacked his mother and his brother to death before walking into the woods and disappearing, never to be seen again. Throw in a Catholic priest, a copy of the Necronomicon, a spiteful bitch of a mother who you already know is going to turn out to be a minion of the forces of evil even before you meet her, and an innocent little girl with "Sacrificial Victim" practically written on her forehead, and you've got everything you need for a horror thriller. The author ups the stakes by making it not just about saving Sarah's daughter, but also saving the world. (If you involve Elder Gods, of course you have to save the world.) Southern Gods is John Hornor Jacobs's debut novel, and it's a darn sight better than most debut novels. The writing, the plot, and the characters are all solid, and since it hit every high point in a good adventure-horror novel, I give it 4.5 stars; half a star deducted because some of the characters were not quite as fully fleshed out as I would have liked, and the ending was a bit pat and predictable. Nonetheless, full marks for a fantastic adventure that isn't shy about spilling blood and guts. You'll probably guess who will survive and who won't long before the final scene, but you'll want to keep reading anyway, and the climax is intense and not just a little horrifying. ...more |
Notes are private!
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1
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Aug 28, 2011
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Sep 04, 2011
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Aug 11, 2011
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Kindle Edition
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my rating |
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3.97
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it was amazing
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Mar 26, 2023
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Mar 21, 2023
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4.39
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it was amazing
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Mar 09, 2020
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Feb 22, 2020
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4.34
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really liked it
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Jul 11, 2019
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Jul 02, 2019
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3.93
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liked it
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Feb 08, 2018
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Feb 01, 2018
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3.87
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liked it
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Nov 30, 2017
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Nov 28, 2017
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4.02
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really liked it
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Aug 23, 2016
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Aug 18, 2016
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3.90
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liked it
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Feb 27, 2016
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Feb 25, 2016
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4.23
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it was amazing
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Apr 10, 2016
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Jan 13, 2016
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4.19
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it was amazing
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Jan 07, 2016
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Jan 05, 2016
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4.14
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it was amazing
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Oct 15, 2015
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Oct 13, 2015
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4.34
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it was amazing
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Jul 12, 2015
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Jul 07, 2015
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4.12
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really liked it
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Jun 02, 2015
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May 31, 2015
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3.99
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really liked it
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Jan 2015
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Dec 28, 2014
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3.59
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it was amazing
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Jul 23, 2014
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Jul 19, 2014
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4.08
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really liked it
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Jan 08, 2014
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Jan 02, 2014
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3.76
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really liked it
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Jul 15, 2013
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Jul 08, 2013
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4.22
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really liked it
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Dec 22, 2012
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Oct 25, 2012
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||||||
3.94
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liked it
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May 14, 2012
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Apr 25, 2012
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||||||
4.10
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really liked it
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Mar 13, 2012
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Feb 13, 2012
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||||||
3.70
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really liked it
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Sep 04, 2011
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Aug 11, 2011
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