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ORCID7th ICCC 2016: Paris, France
- François Pachet, Amílcar Cardoso, Vincent Corruble, Fiammetta Ghedini:
Proceedings of the Seventh International Conference on Computational Creativity, ICCC 2016, UPMC, Paris, France, June 27 - July 1, 2016. Sony CSL Paris, France 2016, ISBN 978-2-7466-9155-1 - Simo Linkola, Tapio Takala, Hannu Toivonen:
Novelty-Seeking Multi-Agent Systems. 1-8 - Christian Guckelsberger, Christoph Salge, Rob Saunders, Simon Colton:
Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation. 9-16 - Dan Ventura:
Mere Generation: Essential Barometer or Dated Concept? 17-24 - Georgios N. Yannakakis, Antonios Liapis:
Searching for Surprise. 25-32 - Antoine Saillenfest, Jean-Louis Dessalles, Olivier Auber:
Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator. 33-41 - Philippe Pasquier, Adam Burnett, James B. Maxwell:
Investigating Listener Bias Against Musical Metacreativity. 42-51 - Debarun Bhattacharjya:
Preference Models for Creative Artifacts and Systems. 52-59 - Carolyn Lamb, Daniel G. Brown, Charles L. A. Clarke:
Evaluating digital poetry: Insights from the CAT. 60-67 - Celso França, Luís Fabrício Wanderley Góes, Alvaro Amorim, Rodrigo C. O. Rocha, Alysson Ribeiro Da Silva:
Regent-Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts. 68-76 - Anna Kantosalo, Hannu Toivonen:
Modes for Creative Human-Computer Collaboration: Alternating and Task-Divided Co-Creativity. 77-84 - Matthew Yee-King, Mark d'Inverno:
Experience Driven Design of Creative Systems. 85-92 - Oliver Bown, Liam Bray:
Applying Core Interaction Design Principles to Computational Creativity. 93-97 - Jon McCormack, Mark d'Inverno:
Designing Improvisational Interfaces. 98-106 - Leonid Berov, Kai-Uwe Kühnberger:
Visual Hallucination For Computational Creation. 107-114 - Pietro Gravino, Bernardo Monechi, Vito D. P. Servedio, Francesca Tria, Vittorio Loreto:
Crossing the horizon: exploring the adjacent possible in a cultural system. 115-122 - Senja Pollak, Biljana Mileva-Boshkoska, Dragana Miljkovic, Geraint A. Wiggins, Nada Lavrac:
Computational Creativity Conceptualisation Grounded on ICCC Papers. 123-130 - Joseph Corneli:
An institutional approach to computational social creativity. 131-138 - Andrew R. Brown:
Understanding Musical Practices as Agency Networks. 139-146 - Mark d'Inverno, Arthur Still:
A History of Creativity for Future AI Research. 147-155 - Graeme McCaig, Steve DiPaola, Liane Gabora:
Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity. 156-163 - João Correia, Tiago Martins, Pedro Martins, Penousal Machado:
X-Faces: The eXploit Is Out There. 164-171 - Derrall Heath, Dan Ventura:
Before A Computer Can Draw, It Must First Learn To See. 172-179 - Joel Lehman, Sebastian Risi, Jeff Clune:
Creative Generation of 3D Objects with Deep Learning and Innovation Engines. 180-187 - Akin Kazakçi, Mehdi Cherti, Balázs Kégl:
Digits that are not: Generating new types through deep neural nets. 188-196 - Gabriella A. B. Barros, Antonios Liapis, Julian Togelius:
Murder Mystery Generation from Open Data. 197-204 - Philip L. Lopes, Antonios Liapis, Georgios N. Yannakakis:
Framing Tension for Game Generation. 205-212 - Maria Teresa Llano, Christian Guckelsberger, Rose Hepworth, Jeremy Gow, Joseph Corneli, Simon Colton:
What If A Fish Got Drunk? Exploring the Plausibility of Machine-Generated Fictions. 213-221 - Paloma Galvan, Virginia Francisco, Raquel Hervás, Gonzalo Méndez, Pablo Gervás:
Exploring the Role of Word Associations in the Construction of Rhetorical Figures. 222-229 - Ping Xiao, Khalid Al-Najjar, Mark Granroth-Wilding, Kathleen Agres, Hannu Toivonen:
Meta4meaning: Automatic Metaphor Interpretation Using Corpus-Derived Word Associations. 230-237 - Hugo Gonçalo Oliveira, Diogo Costa, Alexandre Miguel Pinto:
One does not simply produce funny memes! - Explorations on the Automatic Generation of Internet humor. 238-245 - Hugo Gonçalo Oliveira, Ana Oliveira Alves:
Poetry from Concept Maps-Yet Another Adaptation of PoeTryMe's Flexible Architecture. 246-253 - Iván Guerrero Román, Rafael Pérez y Pérez:
Analysis of the correlations between the knowledge structures of an automatic storyteller and its literary production. 254-263 - Arne Eigenfeldt, Oliver Bown, Andrew R. Brown, Toby Gifford:
Flexible Generation of Musical Form: Beyond Mere Generation. 264-271 - Luka Crnkovic-Friis, Louise Crnkovic-Friis:
Generative Choreography using Deep Learning. 272-277 - Steffan Ianigro, Oliver Bown:
Investigating the Musical Affordances of Continuous Time Recurrent Neural Networks. 278-285 - Dekai Wu:
How Blue Can You Get? Learning Structural Relationships for Microtones via Continuous Stochastic Transduction Grammars. 286-293 - Shawn Bell, Liane Gabora:
A Music-generating System Based on Network Theory. 294-302 - Anna Jordanous:
Has computational creativity successfully made it "Beyond the Fence" in musical theatre? 303-310 - Simon Colton, Maria Teresa Llano, Rose Hepworth, John William Charnley, Catherine V. Gale, Archie Baron, François Pachet, Pierre Roy, Pablo Gervás, Nick Collins, Bob L. Sturm, Tillman Weyde, Daniel Wolff, James Robert Lloyd:
The "Beyond the Fence" Musical and "Computer Says Show" Documentary. 311-321 - Claudia Elena Chirita, José Luiz Fiadeiro:
Free Jazz in the Land of Algebraic Improvisation. 322-329 - Maximos A. Kaliakatsos-Papakostas, Roberto Confalonieri, Joseph Corneli, Asterios I. Zacharakis, Emilios Cambouropoulos:
An Argument-based Creative Assistant for Harmonic Blending. 330-337 - Roberto Confalonieri, Enric Plaza, Marco Schorlemmer:
A Process Model for Concept Invention. 338-345 - Pedro Martins, Senja Pollak, Tanja Urbancic, Amílcar Cardoso:
Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All? 346-353 - Matthew Guzdial, Mark O. Riedl:
Learning to Blend Computer Game Levels. 354-362 - John William Charnley, Simon Colton, Maria Teresa Llano, Joseph Corneli:
The FloWr Online Plat-form: Automated Programming and Computational Creativity as a Service. 363-370 - Martin Znidarsic, Amílcar Cardoso, Pablo Gervás, Pedro Martins, Raquel Hervás, Ana Oliveira Alves
, Hugo Gonçalo Oliveira, Ping Xiao, Simo Linkola, Hannu Toivonen, Janez Kranjc, Nada Lavrac:
Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case. 371-379 - Kristin Carlson, Philippe Pasquier, Herbert H. Tsang, Jordon Phillips, Thecla Schiphorst, Tom Calvert:
CoChoreo: A Generative Feature in iDanceForms for Creating Novel Keyframe Animation for Choreography. 380-387 - Ignazio Infantino, Agnese Augello, Adriano Manfré, Giovanni Pilato, Filippo Vella:
ROBODANZA: Live Performances of a Creative Dancing Humanoid. 388-395 - Taylor Brockhoeft, Jennifer Petuch, James Bach, Emil Djerekarov, Margareta Ackerman, Gary Tyson:
Interactive Augmented Reality for Dance. 396-403
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